Jeff Burt

The Wizard at the Organ

Mischievous, I weathered the hard pinch of my mother in the front pew as my father preached. If I strayed far from boredom and wandered into imagination that seemed to unscrew my head from the wooden brace and make my spine like jelly such that I’d slide from the oiled seat onto the floor, then I would have to go with my mother to the small pit that housed a small organ on the side of the sanctuary, sit down in the foxhole near the lower foot pedals out of sight of all parishioners. 

I liked it there, watching her kick off her shoes, going barefoot, knowing the play of her fingers on low keys and high, pulling stops, the large pipes rumbling and shaking the floor, the thin pipes which screeched under another player like the songs of birds, made perfected and quick by her hands.

I loved to watch the exotic movements of her feet, how she mastered four separate rhythms with four limbs when I could not master one that kept all my limbs in sync.  She didn’t need threatening bombast or instant smoke or a thunderous voice to prove a wizard. Her feet did the work.


Jeff Burt lives in California with his wife. He has contributed to Gold Man Review, Bird's Thumb, Maps, and Per Contra. Other work can be found at https://www.jeff-burt.com


Michael Bickford

This Wallet

This wallet is the last I will ever have.

I've got it penciled in like a line-up:

as the leather wears, so will I,

broken in like my baseball glove,

just as the final innings fade away.

 

I remember the wallet I lost at fifteen.

Like my dad's, of shiny black

calf's leather for a birthday,

but Dad's was old, buffed by wear

stretched and rounded by mysterious bulk.

Mine so light, was it in my pants or not?

 

It fell at a Fox matinee

from the pocket of my navy-style

white bellbottoms as I watched

The Happening, with that Supremes hit song.

 

I don't know what else was in that wallet,

but I recall a picture of a girl,

tucked away in dark folds, sex-redolent

in warm calfskin.

 

I see a face, hear a name, and feel

a weekend afternoon, the tree we climbed,

the fort we dug in black suburban soil

but cannot reach that place in time held deep

in slots and sections of my mind.

 

The girl and I, the matinee Supremes,

their song, the tree fort afternoon

my father, ball glove, and this wallet,

all will fall into creases and crevasses,

recesses and wrinkles of red-gray time,

the convolutions of my dying brain,

and this last, not-yet-lost wallet

will live on in someone else's pocket,

being as it is already dead.

Michael Bickford writes on the Redwood Coast of FarNorCal with the Lost Coast Writers Cooperative. His work has appeared in Toyon, Seven Gill Shark Review, and The North Coast Journal.


Diana Raab

Cloudy Days

Once in a while there’s a heavy cloud

looming over my horizon:

I wonder how it got there

and when will it leave.


It’s as if the universe 

has pushed smoke in my eyes—

the visibility more gray.


This last time was scary

as I gathered tranquilizers 

in one place: a safely hidden bottle

no words on it, except, out—

a message to myself.


I went to sleep with it at my bedside,

without taking one, I awakened the next morning,

eyes open, but body still

not wanting to budge.


I roll over, hug my sixteen year old Maltese poodle,

and tell him to hold me tight

because if I go, I want his

spirit to come with me.


This ritual goes on for a few days

until I decide to call my shaman

who sets me straight

and tells me that the universe

is not ready to lose me

and he would also be very sad.


I tell him it doesn’t matter

and he shakes his head and says it does.

He glances up to the heavens

for answers and tells me

that the voices in my head 

are wrong and need to change.


I agree—

go get some lemon water,

meditate, take a sauna and do yoga,

and remember that there are five

grandchildren out there who love you, he says.


I just can’t do what my grandma did to me

and overdose when I was just ten.


Diana Raab, PhD, is an award-winning memoirist, poet, blogger, speaker, and author of 10 books and is a contributor to numerous journals and anthologies. She blogs for Psychology Today, Thrive Global, Sixty and Me, Good Men Project, and The Wisdom Daily and is a frequent guest blogger for various other sites. Visit dianaraab.com Twitter: dianaraab Instagram: dianaraab


Mark Hammerschick

The One

I am a wasteland

lost in layers of dreams

Inception, The Matrix

Dorothy and her little dog Toto

wandering and wondering

what the thunder said

as it pummeled a pulpy

sky lost in the Texas hills

where Matthew moves books

as the interstellar dust settles

on the layers of time

where the now is the next

and the then has already happened

in the was which has vanished

where finding a heart

and courage and wisdom

is all that matters as we face our fears

in this game of chess

watch your pawns not to be trusted

in the dreams within the dream

where gravity evades grasp

sending quantum particles

deep into Heisenbergean Uncertainty

momentum and position unknown

how knowing where you are

is knowing nothing

since you are in my arms

and in that holding

that skin to skin

breath to breath

scent of death

as those desperate last gasps

scramble your throat

I realize you have always been

The One


Mark writes poetry and fiction. He holds a BA in English from the University of Illinois at Champaign-Urbana and a BS and MBA. He is a lifelong resident of the Chicago area and currently lives in a northern suburb near the shore of Lake Michigan and in Naples, Florida.

 His current work will be appearing in: Calliope, Former People Journal, Sincerely Magazine, Mignolo Arts, Blue Lake Review, Naugatuck River Review, Grey Sparrow Journal, Griffel, Wood Cat Review, and The Rockvale Review.




Kira Stevens

Nothing is Okay

and I don’t know why 

I need to go into 

a sweat lodge and talk


to somebody else’s god 

I want to believe in 

everything so much

in fifth grade at recess 

I sit on the stone 

 

wall and squish red 

bugs with my thumb

I forget how to pray 

 

without scanning the output

I extract poems from private 

conversations with an icon 

 

my babushka painted

my mom still wants to talk 

about her father’s missing toe

and I dodge her calls 

like sympathy smiles

I am in kindergarten and I hug 

my friends too hard 

and the teacher asks me why 

 

I push crayons so fervently

into paper and I tell her I like 

how it feels like velvet: loud 

and quiet, soft and sharp

the boundaries 

between these blur 

and I am often confused 

about how much I am 

 

supposed to feel

by reflex I dull 

the senses

I step out 

 

of my mouth and decipher how 

best to catch these fireflies 

 

where to put them

what colors they might

live happiest under

if they bite

holding hands 

with my addiction to sugar

 

the ambiguity 

follows me around 

like a dog 

while I stir this lukewarm 

pool like a coin 

stuck in two options

 

schrodinger’s cat 

forever exists

in this stillwater 

before the answer 

 

my flowery skirt 

a merry go round river 

sewn to my waist—a circular 

flag facing upward, performing  

for heaven’s fuzzy seats 

 

lefter and looser

I’m untwisting a screw

to save my right leg

from running itself off 

 

if you ask Odysseus 

about the boar

I bet he gets quiet 

and rubs the scar above his knee 

unconsciously

 

what is a vile empty

but a vase split open 

with soil bleeding from its belly 

like a red carpet laid before it 

into an endlessly expanding echo


Kira Stevens has an MFA in Creative Writing and a BS in Psychology. Her chapbook "Highly Noted and Other Poems" was published by Lillet Press in 2022. Her work has appeared in Delaware Bards Poetry Review, Glassworks Magazine, Prometheus Dreaming, and others. Follow her on Instagram @words4food and Twitter @kirawritespoems.



Travis Flatt

Become an Animal

We were told we must do this to become actors. Or, at least we had to do it to pass Voice and Movement class. That was the final, and all the professor said before unleashing us on the unsuspecting world. “Become an animal.” 

I’d like to say that she threw her arms forward as though letting slip the dogs of us and that the doors of the theater hurled outward so we might rush out upon the city with our fangs bared and talons extended. But, no, she just read it off a piece of paper, and then we looked at each other kind of annoyed, like, “Oh, alright.” 

However, some of the presentations were pretty inspiring. Like Jessica’s. 

Jessica Smith, always one to go the extra mile, chose to become a tiger. That crazy kid actually flew out to Nepal, learning some Nepali phrases on the twenty-six-hour plane trip (two stops to refuel) so she could most effectively locate a guide in Kathmandu. She wrote that was her reason for learning bits of a foreign language, anyway. But I suspect she did it for extra credit. That was Jessica for you. 

Then, after the guide drove her into the Chitwan jungle, she dismissed him and disappeared into the wild. Or, so she says, but I’m guessing he got annoyed and ditched her. Now look who’s being catty. (My bad, I shouldn’t speak ill of the dead.)

Anyway, once she’d shed her human form and slunk away into the woods, she successfully tracked down a tiger and, according to her recovered journal, scrutinized its every movement and mannerism to the unprecedented degree that it may benefit the science of zoology forever. Her writings will, I mean. According to her journal, she smeared stripes on her naked torso with mud from the banks of the Narayani River, and with flint, she chipped her canine teeth into fangs, which was probably unnecessary. To top it off, she used bamboo wedges shoved underneath her finger and toenails to give herself claws. 

Ironically, Jessica was a vegan and unwilling to change her diet.

Nevertheless, on her fourth day–her twenty-sixth birthday for chrissakes–she was devoured by a 500 pound Bengal tigress who was very much not vegan. This presumably occurred after Jessica attempted to simulate nursing its cubs, an experience she wrote about in great detail, with accompanying sketches.

Look, I’m only human, and I got a thrill from studying those sketches. 

What was left of her was identified from bone bits discovered in tiger scat–along with those broken teeth. I thought it was a shame about her teeth; she had a striking smile. Although, I suspect she had veneers. 

For commitment, the professor commended Jessica but awarded her a “D” after Jessica failed to attend the presentation portion of the project. The professor used that as an opportunity to hammer home the importance of an unknown actor’s punctuality in the biz.

More clever and economical was Alex Nathan’s choice to stay within the confines of our city and study the bats at the zoo. 

What I admired most about his project, overall, was his willingness to undergo surgery on his vocal cords to achieve a bat’s maximum echolocation of 200kHz. Technically, the doctors could only get him up to 150kHz but close enough. Keep in mind that a human’s echolocation peaks at 20kHz (that’s twenty, Alex amped his echolocation almost ten times a human’s max capacity). Honestly, I’m not even sure what echolocation is. I guess it’s what it sounds like it is. But all of this took two significant operations and drastically, permanently changed his voice.

And that thing those doctors did to his ears. Damn, that was tough to look at. 

Now the performance portion of Alex’s project was impressive as hell, even if it relied heavily on stagecraft. It just so happened that a local children’s theater was performing Peter Pan and Alex negotiated to borrow their flight harness. He also orchestrated a soundtrack with a local synth composer titled “Deepest Cave.” 

For Alex’s live presentation, he soared through the darkened auditorium to the sounds of a psychedelic water drip echoing eternally from the center of nowhere. 

He may have drugged our Diet Cokes. 

Afterward, the professor awarded him a C+ for “effective use of space,” but subtracted points for altering his voice; Alex had been a beautiful singer. Some of us grumbled that the professor was angry about the ears: rumors spread that Nathan had had inappropriate relations with the professor. If so, perhaps he better understood the business than the rest of us. Nathan grew furious over what he felt was an unfairly low grade and flew away. 

Somehow, I felt I never fully meshed with the acting school. I allowed my insecurities to hold me back, I think, and I couldn’t relate to the younger, beautiful children in the class. I lived paranoid that everyone whispered about me, that they all met in secret to talk behind my back. But when the garbage bag I’d crammed myself into burst open onstage and all my thousand smaller selves overran the class, the professor’s dying words were: “Finally, someone understands: you must entirely dedicate every piece of yourself to your art.”

I gave myself an “A.”


Travis Flatt is a teacher living in Cookeville, Tennessee. He enjoys fluffy dogs and fluffy dog-related activities. His stories appear in Ab Terra Flash Fiction, Hare’s Paw Literary, Chamber Magazine, and several other publications. Twitter with him at @TravisLFlatt, and his Instagram is @tlflatt42.


Creighton Blinn

The Shades Are All Drawn

I know what you’re thinking

That even in those dawning days of cinema, 

My eyes cast for posterity.  

Well,

That wasn’t the case. 

I figured, if celluloid was man-made, 

It would dissolve, 

As readily as anything.  


So, I filmed for the payout, 

For carnival tours in need of new attractions. 

It was a living 

While it lasted, 

Until the bigwigs muscled in, 

Consolidating all the profits for themselves.

I didn’t stick around long after. 

Could’ve struck it rich, maybe,

Married a starlet, 

But, what difference would it have made?

Now,

I won’t deny there weren’t nights dancing through moonlit bungalows  

Or mornings laid out on the beach with an empty bottle

And hazy memories of Gilda or Laura or . . . 


See, parties end. That’s how they run. 

And eventually I ran out of odds jobs 

And started knocking over liquor shops and other small concerns.

It lent its own air of excitement,

I won’t deny it,

But,

I never thought myself better than anyone else;

We’re all no better than warped filmstrips

And a century from now most of us, 

Like the majority of those cheapies we shot for the Nickelodeons, 

Will be forgotten.


So, to answer your question

Why I’m loitering 

Beneath this decrepit marquee,

Well, perhaps, part of me does 

Pine for parades gone by. 


Creighton Blinn’s writing has been published on three continents. His poetry has appeared in From the Depths, The Helix Magazine, Conclave, Broad River Review, Wingless Dreamer, and (forthcoming) The Ice Colony. His story “The Fifth Day” has been serialized in Zenite. His blog is http://pacingmusings.tumblr.com; his Instagram is @pacingmusings.


Robin Cantwell

Waiting for my Computer to Reboot

how can I deny

the technological singularity

if my computer keeps asking me

to confirm my humanity. 

see how they blur the lines 

between the squares deliberately?


you know

all these pixellated hillsides

have got me thinking

maybe the world’s just one big NFT 

that would be nice

an epic reveal

such as

there’s fifty trillion plastics in the ocean

that’s more than all the stars 

in each and every galaxy -

at least that’s what it says

in this cracking Netflix documentary.


sometimes I think my brain is being lowered

into a vat of deep-fried crytocurrency

my mind

stuck in carbon neutral

all I wanted to do

was get back on that information highway

so what if that highway led me

to paste the face of my boss 

onto some seriously graphic pornography.


but now

as I watch the wheel of fortune spin indefinitely

and my litecoin plummet forty, now fifty

hey, let’s make that sixty

I wonder

work could be awkward tomorrow

after all

there probably wasn’t any need 

to send my boss that email

nor in that twinkle-eyed epiphany,

was it the smartest of ideas

to CC in the entire company.


Robin is a London-based writer of monologues and comic fiction. A graduate of the National Theatre and Theatre503 playwriting programmes, his monologues, with themes ranging from toxic masculinity to the technological singularity, have been performed at the likes of Southwark Playhouse, Anthroplay Theatre, London Bubble Theatre and The Vault. He was also a winner of the 'Across The Waters' Green Curtain Theatre Competition, for which his monologue on the Irish Free State was filmed.


Olga Gonzalez Latapi

make you keep you will you

i am not tired

 of the shadows

 anymore


 i am not tired

 of the ink

 on the wall

       our dreams


 are interrupted

                see it


 do you leap?


  what does it feel like

 to stay concealed


   look at yourself

 in the mirror

 do you see the fog


 do you see that connection

 do you see what happens

 when you let yourself

  break away


 from the sport


 every move of the mind

 every move of the heart

         is this the emotion


 i stand for


                    to the touch of orange petals

 patterns crush

and break the age


i  live away

    the music of flowers

 inside the flesh

                    a wonderful dance


 this is

 what i learn

 this is

 what i keep


-Olga Gonzalez Latapi


Francis Flavin

Skull at Red Hill

The skull stares a stark mystery

From under the scarred Pinions,

A lonely place to rest exposed

Upon the windswept ridge.

Through the needles the Zephyr sighs

A gentle dirge for all once living things.

The ribs and leg bones are here as well;

Their dispersion across the ground

May reveal the final passage.

But I am not a reader of death,

And retreat through the gloaming

Toward the sanctuary of my truck.

In the distance a coyote wails a requiem


Francis Flavin was the Winner of the 2021 Poetry Quarterly Rebecca Lard Award and has received recognition for humor and flash fiction in the Soul-Making Keats Literary Competition, and the personal essay and rhymed poetry categories of the 2020 Writer’s Digest awards.

Lawrence Bridges

Form Follows Function

I'm making a patio but a tree with a knot

stands in the way and can't be removed

due to a city ordinance and my respect for 

a beautiful living thing. Its branches are low, so for

what is supposed to be an expansive terrace with ample tables,

couches, and nooks for eating and talking,

we're caught tripping over limbs and crawling under 

boughs to get around on this "platform over the water.”

I’m for accepting the tree and employing chutes and stairs

that conform to branch-flow, all attached to the tree for stability.  

I’ll hang a bunch of lights beyond it to extend the platform 

over the ocean so people can turn and look back for photos

of a tree with hanging orchids – great for tourists

and wedding parties - and I'll engineer wings

or narrow wooden causeways to get servers

back to the kitchen or diners up to the valet station. 

We'll live with this but how much better would it be

to have used the tree wood for railing and stairs 

for a simple wide terrace facing the sea? Either way, 

if espied from a paddleboard offshore, the terrace will be open, 

a stratum like the sea rocks below - but here again,

form follows function because people like looking

at the ocean from the safety of trees,

enveloping branches hiding their past lives

where they pretend to have once lived as fish.


Lawrence Bridges' poetry has appeared in The New Yorker, Poetry, and The Tampa Review. He has published three volumes of poetry: Horses on Drums, Flip Days, and Brownwood with Red Hen Press.


Alex Wukman

Bless Me Now with Your Fierce Tears

dear dad

i have to say this now because you might listen

dear dad

i’ve tried and tried to talk to you

about my life about your life about the world

Smog chokes downtown whiskey brown as I hit 610. The sulfurous smell from the pollution never quite goes away; it seeps into your clothes, forever marking you as a citizen of Energy City. Benzene and chloromethane coming off the bay cause eyes to burn across the sprawl.

The permanent haze leads to the sort of cheap jokes and lazy irony favored by the bottom-of-the-bottle-Bellow and four-beer-Beckett types who smirk about how “it’s no coincidence we have one of the largest collections of refineries and one of the best cancer centers.” Tonight, I’m not in the mood to chuckle at why the high school downwind from the frac plant needs Leukemia for a mascot.

Tonight, my father is dying. My aunt just called. Told me dad’s on life support. And she’s willing to pull the plug. My dad suffered some kind of attack and is in the hospital. He’s been there for twelve hours; she’s just now telling me.

Rage and sadness roil through my body while methane flares flicker-flash across the windshield painting the dented dashboard Apocalypse Red and the stained seats Nagasaki Orange. I know if dad survives, I’ll be pulled into a decaying orbit around him. It’ll be my job to take care of him, to pick up the empties, clean the vomit from the sink and scrub the piss out of the carpet. My job to tell my girl we’ll never get to see a face with my granddaddy’s eyes, her nose and my chin.

My job to move back in and live with dad. My job to lie to the landlord and see if we can slide until the fifteenth again. My job to decide which we can do without this month: food, lights or water.

My job to be a kid again.

dear dad

i don’t know if i can do it anymore

i don’t know if i can sit across that little plastic table from you

look into your face

a face covered in battle scars

from your war with addiction

watch you laugh about the good times

hear you say everything’s fine

while an armed guard walks by and says

we’ve got 45-minutes left

It was the day after Thanksgiving at the county jail out on Ransom Road, one of those days when every inmate got a visitor. More often than not, wearied wives, crows’ feet carving maps of heartaches and hard lives across their temples. If it wasn’t a convict’s old lady on the other side of the glass, it was his side piece showing off what he ain’t getting, or his mother — with eyes large enough to love the world — asking, “Why’d this happen to my baby?”

In the sixth-floor visiting room, where everyone leaned against cold concrete, and everything smelled like a bus stop on a bad day, families and familiars struggled to be heard through tin can mics mounted in cracked glass. The steady D-flat drone of conversation climbed towards a roar.

“Speak up, I can’t hear you in here,” dad said as he pressed his rust-colored face, a face that took a thousand sips, to the mic and shouted. The voice that had tumbled tree houses and twisted tenderness came out hollow and small.

He was two months into six months’ pre-trial detention for drunk driving. It wasn’t dad’s first time as a guest of the state. He was up for 18 months about five years ago for DWI plus possession. He’d wrapped the car around a fence post. The cops found him trying to walk home with an eight ball of blow in his pocket.

To ward off reality, we sought the solemnity of small talk. He asked me to call his lawyer; I lied and said I would. He asked about work; I lied and said it was good. He grasped at the frayed strands of freedom — bond reduction hearings, Breathalyzer calibration reports and medical abreactions.

“You know that tooth I got pulled,” he said, scratching at the malignant molar’s former home. “I think the anesthetic messed me up.”

“Didn’t you go to the dentist like a week before you got arrested?” The question was a jail break, honest. Truth overpowered the guard, the words escaped when my back was turned and now, they’re on a crime spree.

“Yea, but I’m pretty sure I’m allergic to Novocain or nitrous oxide,” dad said. “And I think some mouthwash got caught under my bridgework. That’s why I blew hot. And I wasn’t swerving, the alignment was off and there was this huge pothole I was trying to avoid. Also, your grandfather didn’t replace the tires when I told him to, so the car was slipping.”

He rambled on, telling me he was “being persecuted not prosecuted” and that he was a victim of circumstance and a prisoner of coincidence. He explained how the cop who arrested him had followed him “for like five miles.”

“That’s got to be illegal right? I mean they can’t just roll behind you the whole time. I wasn’t speeding, where was the probable cause? It was harassment I tell you.”

He didn’t even look to see if I bought it. He’d convinced himself; that’s all that mattered. And once he believed the bullshit, truth or consequences were like that town in New Mexico — pretty far from everything.

Seeing dad in prison blues, stranded behind the glass, made his reasons and rationalizations dark and ludicrous — like Goya’s Saturn Devouring His Son with googly eyes — and turned questions into combat.

“Can you get your brothers to visit? Can you go see my old lady? Can you talk to your grandmother about my commissary? Can you write me?”

The interrogation left me doubled over and bleeding. He’d beaten an “of course I will” out of me.

dear dad

why do you want to drink yourself to death

dear dad

i remember you saying that anything worth doing is going to be difficult

life is difficult is that worth doing

dear dad

i love you

please stop

Chaos greets me in the hospital lobby — aneurysms and embolisms line the walls, bullet wounds on gurneys stack the halls. With a voice faded from exhaustion, a fresh-out-of-the-box nurse tells me where to find him. The world’s slowest elevator takes me to the ICU.

dear dad

i was always afraid you’d leave and never come back

now i don’t know if i want to see you if you do get back

i’m not even sure i’ll be here when you get back

At his bedside the world stops. The deafening silence of the ward allows the EKG’s pianissimo sol dièse mineur to mix with the 2/4-time of the ventilator for a nocturne of phobias and lamentations. Guilt and shame come in, turning it into a semi-private performance.

Looking at him unconscious and helpless is discombobulating, like a hyena at a dog park. Everything is off; even the whiskey-cigarette cologne that oozed from his pores has been replaced with disinfectant.

I want to touch him, to pull the worm of the endotracheal tube from his mouth and let him know I’m here. But he’s still a gut-shot grizzly and I’m still worried I’ll be eviscerated.

dear dad

why didn’t you call my brother and leave 30-minute messages calling him

a faggotty-ass-limp-wristed-speed-addicted-cock-sucking poet

why didn’t you call my cousin at three, four, five, six in the morning

after a weeklong bender and say you’re a pussy-whipped-dickless-queer

why didn’t you call your sister

threaten to come over to her house

kick down her door

because she wouldn’t pick you up before closing time

why didn’t you call your mother

demand she sell everything she owned

so she could get you twenty bucks

before the liquor stores closed

why did you call me

A few months after I'd visited county, he caught a trey and went upstate, where he became a non-person. He wasn’t dad anymore. He was inmate 1222378. He was a fire hose of letters. They came three or four times a week, filled with hate and scorn for a world that had wronged him and plans to reclaim the life stolen from him. All he needed was an “I’ll get you if it’s the last thing I do,” to be some superhero’s nemesis — instead of just mine.

dear dad

is it normal to spend your life coming up with reasons not to kill yourself

the one i’m trying out this week is that i have too much to do

After a month, I quit trying to understand the reasoning behind the victimization or the logic hiding in the jailhouse lawyering. The letters went straight into a shoebox and when that was full, a milk crate and when that was full, a Jack Daniels box. I wrote him, once: a letter filled with false starts and fading hopes that begged for a change. His response wasn’t worth printing.

dear dad

it’s 8 a.m. now my roommate is making love in the next room

i can hear the girl’s moans over the reggae music

i don’t know why i mentioned that it’s not really important

dear dad

i did six readings this month three this week alone

i have two newspapers that want to publish my writing

and i was on the radio

why do I feel so empty

The Attending and The I’m-Too-Old-For-This-Shit Internist say dad was halfway through a handle when he collapsed. They ask if it was suicide. No, he doesn’t believe in suicide, but he does believe Old Wives’ Tales: after a bender he’d drink baking soda and water to get rid of the hiccups and stop vomiting.

The Attending and The Internist’s eyes widen, and brows climb. They’re on the verge of saying something like, “that’s the stupidest fucking thing I’ve ever heard.” They bite their tongues instead.

The Attending curses under his breath in Chinese while the I-Thought-I’d-Seen-Everything Internist takes off her cat-eyeglasses and rubs the bridge of her nose. The conversation turns towards jargon. Thanks to college biology and primetime medical dramas I can make out about every third word.

“Possibly a ????????? Transient Ischemic Attack with ??????? features,” says The Attending. Goddammit, I wish I’d paid more attention in science class.

“Additionally ??????? acute perforation of the GI tract ???????,” The She-Kind-of-Looks-Grandmotherly-In-This-Light Internist says. “Esophageal bypass ?????? colonic interposition ??????.”

Bypass? Interposition? What the hell?

“We’ll start him on ?????? for the TIA and schedule an endoscopy for the GI tract,” The Attending says. They tell me dad’s neighbor found him unconscious in the kitchen. They tell me he had a heart attack when he was brought to the ER. They tell me he was drug-induced into a coma.

“We’re going to have to keep him sedated for another day to get the alcohol out of his system. He should be awake tomorrow,” says The Internist.

dear dad

i don’t know where these roads we walk lead

i think they go nowhere

The Attending and The Internist shuffle off to their rounds. We’re alone when the tears come and my soul cracks. I can’t do this. I can’t take it. It’s too real. I need a drink. Why don’t they build more hospitals near bars? How do people cope with this shit without alcohol?

dear dad

i’ve forgotten happiness

This isn’t how it’s supposed to go; this wasn’t how it’s supposed to be. I told him how I felt. I begged him to stop.

love

your son


Alex Wukman is a Houston-based poet, playwright, journalist, author, and editor. He has published more than 200 articles in Texas-regional magazines and newspapers. He has performed at dozens of festivals, nightclubs, warehouse parties, political protests, poetry slams, and car smashes — including opening for the likes of Saul Williams, Ian McKaye, and more hardcore bands than he count. He can be reached via email alexwukman@gmail.com

Jack Galati

Arizona Highways

Ryan said that if he was ever going to get a tattoo, it'd be a blue rose. Something about that meant something to him. We were headed south through Arizona, driving only the dust-blown trails of tired park rangers. We told ourselves these were old Indian tracks and pretended to trace the whole landscape on an empty map, a leather book of tea-stained paper. Ryan was the cartographer and I drove. Sometimes I think he’d have been better off without me, tracking his way through untamed high desert and writing it all down. He was a good friend, and I miss him now. When we got to Tucson we found ourselves looking for a place to stay. Ryan said maybe we go see Bonnie so I called her, but it had been years since we’d spoken and I didn’t know what to say. Instead, we spent the night in an abandoned parking lot on the outside of town. I couldn’t sleep so I got stoned and took a walk to the foot of the desert. I imagined a starving coyote waiting for me there, just beyond the dying illumination of the high moon. To pass the time, he made love to a cactus wren, and just then I wished things had happened differently between me and Bonnie. The moon was not quite full and still left enough light for me to look back and see where we parked. I thought I could hear him sleeping. Ryan wanted to leave by sunrise. He wanted to see Bisbee so that he could draw the whole town back into the mountains. He was special that way. He was special in a lot of ways I was too scared to face. When he died I really did call Bonnie. We talked for a while but she had to go. Said she had to pick up her kids from somewhere. I forgot she grew up. Ryan too, after a while. We all were supposed to, but I still find myself driving up and down the state. Those highways harbor grief in continuum. I lost something in the desert and I think that if I keep going, just a little bit further, I’ll be able to find everything that I’ve lost and bring it back. I believe that, somehow, I’ll find myself out there, and all the world’s answers.


Jack Galati is a writer living in Arizona. He studied creative writing at Arizona State University, where his work was selected for the Undergraduate Student Showcase. He has fiction and poetry published in Pinky Thinker Press, Beaver Magazine, Fauxmoir, 50 Word Stories, and Marooned Magazine, among others. 


Charles Kell

Poker

Hard to run with hands

tied behind my back.

I give a little skip—over ash,

ocean, sagebrush—to show

my defiant will.

A cloud mocks me with its opulent sway.

Weeks since I threw away my pills,

days since my last bottle, drained.

I can fly. The dregs

dance in anticipation.

A deck of cards balances bareback.

Taut rhomboids hold the queen of spades.

Wherever I turn there’s my face.

A mask of shadow, mask of Mahler.

A mask built from closely watching water

watching air.


Charles Kell is the author of Cage of Lit Glass, chosen by Kimiko Hahn for the 2018 Autumn House Press Poetry Prize.