Marshall Moore

Only Faintly (or: Anosmia)

1. 

I can’t smell shit.

2.

The previous sentence is accurate no matter how you stress the brown word. I can’t usually smell excrement. In fact, I can’t smell much at all. Does that make me nose-blind, or smell-deaf? Neither of these terms feels correct.

3.

Problematic ontologies: I actually can smell things, except for the things that I can’t, which is a rather long list.

4.

Organic laundry detergent with faint whiffs of lavender and magnolia and chamomile and gentle breezes on the moors in spring is all well and good, but I prefer the fake kind that smells like those tree-shaped deodorizers you hang from the rear-view mirror of your car. That, I can smell if I use enough of it, which I probably don’t.

5.

I don’t bother sniffing food to see if it’s gone off.

6.

An article I read a few days ago extolled the virtues of taking walks in winter weather. Rain, cold, mud, and wind are said to be good for the immune system. Ions and petrichor; fresh air and helpful microbes. But fresh air has a texture, not an odor—for me, anyway. What do ions even smell like?

7.

Speaking of wind, I can’t smell farts. This arrangement works out much better for me than for others.

8.

My grandmother had no sense of smell either, or not much of one. She used to collect Avon perfume bottles. I used to suspect the fumes scorched her sinuses. Now I wonder.

9.

I once had a crush on a guy who wanted to be a nose in the perfume industry. Articulate in the ways of scent, he spoke of layers, notes, and nuances I couldn’t detect. He’d daub himself with essential oils before leaving the house. A little neroli, a drop of cedar, some ylang-ylang. Sandalwood. Lavender. Verbena. Hanging out with him was like sitting next to a forest. I could smell him. I could smell then.

10.

I used to wear Grey Flannel. I thought it fit. He disagreed. It didn’t end well.

11.

My apartment, two floors up from the dumpster into which my fellow tenants tossed their trash, sometimes got a little pungent. I moved in, counting myself lucky to have found a place during the Bay Area’s dotcom craze. The first time I looked out the window, I should have looked down. But the plume of maritime fog that passes through the Golden Gate and disperses against Emeryville and Berkeley kept the place cool. Most days, I didn’t need air conditioning. Now and then, when the sun came out, and the dumpster filled up, the stench of baking garbage could be an issue—not overwhelming, but enough to notice. To cope, I’d burn Nag Champa incense. Those benignly cloying New Age fumes would fill the flat with mystical energies, chasing away the foulness wafting in from outside and almost convincing me (just for a moment) that I lived somewhere far away and keenly interesting. Then the flat flooded in a plumbing disaster, and I came home from a trip to find the floorboards warped and the carpets black. I had to move into a smaller unit upstairs.

12. 

I can smell incense. I can smell mildew.

13.

When I moved to Seattle a few years later, the fridge in the condo was older than the outgoing tenants. Things had frozen to the sides and top of the compartment. A gruesome, greyish intrusion of ice from the freezer section looked like an escapee from a John Carpenter film. The smell shocked me because I could smell it, and also because I could smell it. Like cabbage and ass, since you asked.

14.

Halfway through my first year in Korea, where I lived next, I caught a little infection I wish I’d had more fun catching. Antibiotics ensued.

15.

Korea is an olfactory bonanza: barbeque, autumn leaves on hillsides, gochujang, garlic, perfume counters in department stores, hot concrete in the cities, barbeque, seafood markets, skin-care products, cigarette smoke, barbeque. I noticed those scents less after the experience recounted above. I didn’t notice myself not noticing. Not right away.

16.

In late spring, prevailing seasonal winds dump dust from the Gobi Desert onto eastern China, the Koreas, and Japan. The air turns golden amber and gleams with heavy metals and exotic toxins. Everybody gets bronchitis. A few months after my earlier microbial adventure, my lungs filled up with phlegm and sparkly radioactive crap, and my throat felt like I’d swallowed a pine cone. My doctor took a look, blinked a couple of times, and asked Can you swallow? He gave me a shot of antibiotics in one buttock and an anti-inflammatory in the other. More pills, too. The same kind as before.

17.

Time passed.

18.

I got better, in a manner of speaking.

 

19.

My partner noticed it first. He asked, you can’t smell that? With a grimace, he pointed down: Hong Kong drains after a late-summer spell of no rain. It’s like piss and dead fish, he said, but with other nameless bad things mixed in. I said, not even a little bit. Later: low tide in Victoria Harbour on a windless, humid afternoon. Brackish, fishy rottenness, but sour. You can’t smell that?, he asked, and I couldn’t. Later: drains again. Nope. Wet market. Nope. Every now and then I’d catch whiffs of things, but with the volume turned all the way down. I’d feel the odor whispering against my sinuses, nothing more than a transient hint of existence. I’d ask, Is that sensation a smell? Am I smelling that? I knew about it now, so I noticed myself not noticing.

20.

There were always exceptions. Case in point: a few supermarkets there sold durians, those spiky fruits that look like the insides of iron maidens and are almost as harmful. They reek. The smell is a lethal sinus-tangle of sulfur, horror, roadkill, and unwashed butt. People say durians taste good. I wouldn’t know. I can smell them, though, and I’d steer well clear of that part of the produce section when they were in season. 

21. 

Exceptions, by definition, aren’t rules. I could only smell the exceptions. Paranoia set in. I started carrying mints everywhere in case I had corpse breath. Taking extra showers. Using more fabric softener and those colorful little odor spheres you toss into the wash to make it smell like pretty chemicals. 

22.

At Kew Gardens in London, I sniffed every flower I passed, not to see what it smelled like but to see if I could smell it. There were a few.

23. 

I would sniff-test the air in restaurants and restrooms. If I could detect any odor at all, that was both a good sign and a bad one.

24.

I still do that.

25.

On the list of exceptions: Bleach and ammonia. Onions. Cat pee, if there’s enough in the litter box. Wood smoke. Coffee. Roses.

26.

I can taste things. This is not the same as saying I have taste. I don’t know how much taste I still have. Some, evidently.

27.

According to a Google search, the antibiotic I took several times in the space of three years is known to cause olfactory damage, sometimes permanent. Quite a few doctors have looked up my nose.

28.

The testing continues. When I open a bottle of wine, I sniff the cork. A tanginess registers. This is new, and I think it’s a smell. I just don’t know what it is. There are scents in the air here: flowers, grass, trees. I notice them, only faintly; then they’re gone as soon as I realize I’ve smelled something. Cat food breath. Plants in garden centers. Lye fizzing in the drain in the kitchen sink. Certain brands of shower gel. Perhaps it’s not permanent. And if only one category, the one I’d rather not smell, has been wiped out for good, is that much of a loss?

29.

Loss, by definition, has parameters. My vision’s not quite what it used to be. All those years of looking at screens. Bifocals give me a migraine, so I have two pairs of reading glasses now, plus a few other pairs for driving and distance. My knees have never not been jangling twin shit-shows of broken glass and immobility. They just jangle louder now. It takes longer to make up lost time at the gym. Two-day hangovers, as it turns out, exist. Aging takes things away. 

30.

And every so often, time brings them back.


Marshall Moore is an American author, publisher, and academic based in Cornwall, England. For more information, please visit www.marshallmoore.com, or follow him on Twitter at @marshallsmoore.

Julie Benesh

Trippin’

My parents never took me to Chicago claiming their VW bug

would only ever get as far from Cedar Rapids, Iowa as Winneconne,

Wisconsin, on Lake Winnebago, near Oshkosh where my dad’s Uncle

lived, so the biggest city I ever visited before 1975 was Madison. We always left on a summer

Saturday before dawn, highway reflectors casting ghostly images.

I would lie on the hard gray backseat breathing second hand cigarette smoke

listening to my parents murmur and rattle road maps

One time the battery exploded right under my seat,

splattering my pinafore with acid.


(Now I know Chicago is closer, but they didn’t want to go there.

My dad thought only losers lived in cities.)


So I’d never been to Chicago before the ninth grade field trip

that took four hours and cost forty dollars. My mother was born in Chicago

but moved to Iowa as a baby and remembered nothing

and was likely fearing for my life, as when she thought Chicago

she thought crime and poverty and stranger danger

She had won $500 in a bingo game at St Pius

and spent it on two maxi dresses, one a gauzy cotton

in light green, the other ticked in blue and white, and platform sandals

for height. The music that month was all Philadelphia Freedom

and He Don’t Love You. My two best friends and I met the bus

in the parking lot of a strip mall on First Avenue. My mother

made me a Swiss cheese and peanut butter sandwich

though we also got a $2 voucher for McDonald’s along the way

We stayed at the Palmer House, boys on one floor and girls

two floors below. We went to the Ivanhoe Dinner Theater,

to the Shedd Aquarium, to the Adler Planetarium to Grant Park,

to Lincoln Park Zoo to Old Town and New Town.


The best part for me: Chicago kids in Lincoln Park yelling

are you from Iowa, you must be from Iowa, your pants are too short!

to the despair of my wannabe fashion maven classmates.

On the way back the chaperones asked for a vote: Who would rather

live here than Cedar Rapids? No one but one or two of us. The thing is,

at that very moment they asked we were riding past my future,

literally my current home high (23 stories) on LSD (Lake Shore Drive)

I not even noticing its unprepossessing cinder block façade–

like some kind of metaphor—blowing past my years-to-be in St. Louis,

Champaign, Naperville, the marriage that took up my 20s, getting closer,

closer to the shelter of a roofless sky, an endless horizon where at dusk

I cross the Drive with my ninth grade self to catch fireflies on our tongue.


Le temps passe. The Lake, big and old as the universe

will laugh and love us forever, and ever, outliving us all:

the Ivanhoe long turned into a Binnie’s Beverage Depot,

New Town reverted to mere East Lakeview, the Palmer House

in receivership, my parent’s VW sold for scrap,

mother gone since 1986, father since 2004, amen.


Julie Benesh, graduate of Warren Wilson College's MFA Program and recipient of an Illinois Arts Council Grant, has published work in Tin House, Crab Orchard Review, Florida Review, Another Chicago Magazine, JMWW, Maudlin House, and elsewhere, and her poetry chapbook ABOUT TIME is just out from Cathexis Northwest Press. More at juliebenesh.com.


Maddalena Beltrami

A Dublin Fall in Fall

In that brief moment of twilight where the thoughts are as random and as powerful as can be, I think I have to tell my mother what happened to me. The thought is so real that when I awaken a few seconds later to the realization that “you can’t, she’s dead,” the force of the sadness and longing takes my breath away. It’s happened on occasion during the 16-year interval of her missing, but I marvel at the magnitude of it this morning. These reckonings between the dusk and dawn of sleep have become stronger, not weaker, in the years gone by. I want to tell her about my falling. I want to tell her about the first trip I’ve taken alone in my six and half decades of travel. Five days in Dublin. The first post-pandemic tiptoeing out of the cocoon we all had to create for ourselves. What if I fall and I can’t get up? That old commercial for the button contraption they want us to buy when old and alone spun around my head for several days before my trip, half in jest, half in dread. My son, hearing of the fall, said I put it out in the universe, and that is why it happened. He is a firm believer in manifesting one’s fate.

On the other hand, I have always thought the universe was random, and it simply manifested it for you, with no real interaction required other than to recognize the signposts along the way. My son believes you create those signposts. In my newly created life, where I am alone but surrounded by too many people, I chose this solitary trip to test my mettle. Another girls’ trip was out of the question this time, both by logistics and desire. O, those trips! The bane of the single for their mandate, but O so relished by the coupled women for whom a choice it always is.

Four days were spent carefully walking for more hours than I imagined possible with my poor gait. The last night. The concert is in a beautiful, ornate Victorian building with uneven steps and no modern-day accouterments like an elevator. The tiny toilet is down an even more uneven set of steps, with odd-sized landings after each one. I navigate my treads with care upon the first attempt. I am in the mezzanine, and my seat is not the usual one on the aisle, as is required by my trapaphobia. It is two seats in. I eye it with trepidation and remain in the bar for the opening act, delaying the inevitable as long as possible. I can do it, I think, but first, one last trip down the tiny passage to the tiny toilette. The first elongated step escapes my mind completely this time, and I fall in two parts, the second requiring an usher and a medic to attend to me. And so they do, by carefully depositing me into one of the beautiful boxes that hang on the side of the stage in tiers, and my tears take me to the second level with a glorious view of the show. I share it with two young men; one a fan, one a curious new onlooker, both complete strangers.

I manage the return to my room and country with the question still unanswered. My sleep renders me with the deep desire to ask my mother. Is this life of created singular solitude truly what my heart desires, or is it simply the result of cowardliness? Do I truly not have the fortitude to enter into a long-term contract whereby there will always be someone to take my hand whenever I have “fallen and can’t get up,” or is the price too steep to pay now in my advanced years? Should I, instead, take my chances falling in foreign lands alone and thus continue my penchant for forging relationships of sumptuous, secretive sensuality devoid of the mundane menu of milk toast and mortgages. I am no closer to the answer, and my mother is no longer close enough to ask.


Maddalena is a former wife, Federal manager, PTA President and C-19 contact tracer, current mother, music reviewer at botheringtheband.com and fledgling writer. She has had her work published in The Grit and the Grace Project, Grand Dame Literary, ChangeSeven Literary Magazine, Inside Wink, Harness Magazine, The Monologue Podcasts, Sad Girls Club Literary and Fauxmoir. She was born in Italy, raised in New York and calls Los Angeles home along with her two sons.