LAY LADY LAY #1 & LAY LADY LAY #2
Artist’s statement:
These two pieces are part of a three-part series that explores themes of art history and the objectification of women.
Inspired by Picasso's groundbreaking work, "Young Ladies of Avignon," these collages are created using leftover fragments from a larger project. They serve as a satirical commentary on the male gaze prevalent throughout art history. In an effort to challenge societal norms, I juxtapose female figures sourced from 1950s and 60s pop culture and soap ads with drawings of ancient Greek statues of male heroes and athletes. This contrast highlights the mesmerizing effect of feminine mystique on the male psyche.
The composition of these collages is layered, both visually and conceptually. The figures are placed upon a landscape featuring concrete walls and steps of ruined military bunkers, symbolizing the conflicts and complexities inherent in relationships between the sexes. To create depth and texture, I incorporate layers of tissue and cloth, while utilizing found papers and pencil marks to create an antique-like patina.
I hope that these collages provoke thought and encourage dialogue about the representation of women in art history and contemporary society.
Lay Lady Lay #1
Lay Lady Lay #2
GJ Gillespie is a collage artist living in a 1928 Tudor Revival farmhouse overlooking Oak Harbor on Whidbey Island (north of Seattle). In addition to natural beauty, he is inspired by art history -- especially mid century abstract expressionism. The “Northwest Mystics” who produced haunting images from this region 60 years ago are favorites. Winner of 20 awards, his art has appeared in 60 shows and more than 90 publications including 11 covers.