Robert Richer

Double Exposure

Autumn had turned with the leaves settled in a suspicious shade of crimson red. Two of my old college friends had come down together from the city to see me. It'd been years since I'd seen either of them; it gave me some fickle comfort to know they hadn't changed all that much. 

Erin was still her usual cast of shy, warily collecting thoughts behind her big eclipsed eyes. Sat beside her in the shade, Joel played up his typical character: The ragged outcast, forever flipped-out and daydreaming aloud. Altogether, it was just like days past. Whenever we weren't looking at each other, we quickly found ourselves staring off in the same direction. 

Joel began the afternoon by enthusiastically filling his glass to the brim. 'You bought us down here. You know I had to bring a bottle of Fire Band for old-times sake.' He said, cheerily presenting it to me as he poured near vertically into the glass.

'Careful, it's not like we're in any rush.' Erin said, snatching the bottle from his hand and side-eyeing me with a warm smile. She'd always been Joel's sensible foil - an aspect of their friendship I knew she'd always secretly enjoyed.

'Why did you call together little this reunion anyway.' Joel asked me. It was safe to assume his fondness for high volume wine hadn't done much to improve his memory.

'I inherited the old place a couple of months ago. I thought you and Erin might like to come by. You both spent a lot of time here back in the day.' I replied, gesturing to the small acreage my grandfather had kept meticulously into his final years.

'I'm kind of amazed you hadn't told us sooner. It's incredible, especially the massive garden. You're so lucky your grandparents left it to you.' Erin replied, looking around, compulsively folding her sunglasses to occupy her hands. 

It was an enormous, rustic house even by the standards of its time. Despite it residing in some kind-of rural limbo, she was right. I was very fortunate to have somewhere to call my own. 

'I think she's a touch jealous. Erin was telling me on the way down, she wants to move back here.' Joel said, butting into the conversation on her behalf.

'I think it'd be nice, you know, to settle down somewhere quiet. Life in the city doesn't quite agree with me anymore.' She said the last part with sad emphasis, one disguising some weighty underlying reason - it went directly over Joel's head.

'What do you make of that one, country boy?' Joel nudged me as he shuffled in his seat in the shade. 'I don't think she should. I mean, I couldn't do it. There's nothing to do out here. I'd end up going crazy.' He sounded cheerfully manic, answering a question he'd asked of himself. 

'As much as I'd love to welcome you back, I think he's right. It's not like there's a whole lot to do around here.' 

'Yeah well, You were never easily pleased, were you.' She said, telling me rather than asking. 'Either way, I'd believe you over Joel any day. Even if it doesn't do much to change my mind.' 

'Yeah, I wouldn't take what I say too seriously; you know me, anything to keep the conversation going.' He replied to her with the slanted beginnings of a tipsy grin. 

We toasted Erin's honorary return to her home town. The ceremonial charade bought a beautiful, fey smile to her face. A smile that remains ever vivid to me, even now. 

As we all exhaled into restful silence, Erin lay down on the grass, gazing at our sheltering maples' thinning red foliage. 'You must be behind season down here as well. I totally forgot the leaves could look like this.' She picked one from off the ground, examining it between two pale fingers.

'I wouldn't really know, but it's certainly a sturdy tree. It's been here for as long as I can remember. The old man loved it, said it was the heart of the garden.' 

His eco-sentimentalism went more or less unnoticed. Erin got up and wandered slowly around the maple, vacantly inspecting it. Not long after, Joel circled behind, following along the same path as if to spell out her interest and the tree's very state of existence for himself. 

'Well, I don't know much about them either. Certainly glad it's here though, it's far too hot today!' he exclaimed to the open air. 'Actually, just walking around made my head spin. I must of started up too fast.' He murmured and dragged himself back into the shade to seek refuge. 

'It's probably from the heat. I told you to slow down. You're such an idiot sometimes.' Erin called back to him. She sighed and crouched down next to me. 'Hey, we need to get some water out here for Joel. We could probably all do with some.' 

'You can drink from the stream at the end of the garden. The water's from the springs run-off, it's clean.' I said to both of them, reaching over and patting Joel on the back. 

They looked surprised by the notion, but the suggestion was met with no hesitation. Over at the stream-side, the water was crystal clear and slow-running, just as promised. They cupped their hands and reached into the brook, drinking hastily from it. The water appeared to bring them some equilibrium from the heavy dazes of the autumn sun. 

Eventually, they wandered back over to me, skin glimmering before turning opaque against the light. Stirred by some faint feeling of introspection, the whole image seemed curiously foreign, unreal. When I reached over to sip my drink, the pair sat back down to join me. That was when the day really began to slip into blurry motion.

Joel led the conversation by his drunken urgency to be heard. Hours rolled by, the way they always do in friendly company. Extensive discussions followed amusing and facetious arguments entailing the many, almost unbelievable days now past us. Poking fun at each other for the embarrassing situations we'd put one another through. Tipping bottles and glasses in a rosy stupor  to times when we had met with strange and hilarious misfortunes. All the things discussed by friends who have drunk too much and spoken too little. 

It wasn't long until the day moved into the evening, and the heat showed no sign of letting up.

Erin had turned back from the shallow waters where she'd been peacefully keeping her space and dipping her feet. She returned in small careful steps, hands covering her eyes to see past the golden hour glare. 

Joel had spent the last hour hiding away in the shade, still reeling from the impact of his eagerness. 'Man, I have a terrible headache and it's putting me in some weird mood.' He said to us, woozily swaying about underneath the branches. 

'What kind of weird?' Erin gave a half-hesitant response, likely fearing the potential for a darker turn. 

'You know me, stretching my time between two places.' He said, laughing along with his vague statement. Misguided profundities were the other direction he'd run in when deeply drunk.

Neither of us could be sure, but it seemed we were safe. Even though he'd been draining glasses at an incredible pace, Joel looked to be going out on high. Stood beside me, Erin was also beginning to look a little more glazed-over than usual, albeit in her typically well-composed way. I shifted my focus away from her, and Joel started up again. 

'Hey, remember back in college, when you said that the three of us would always hang out, you know, be friends.' 

'Sure.' We both replied in unison, not knowing which of us he was talking to. 

'Isn't it cool how after all this time, nothing's changed. I mean, it seems like we're all pretty much still the same.' Joel said, slurring his speech and beaming at us with his wide goofy smile. 

'Yeah, I suppose so. It definitely doesn't seem like any of us have gotten any more real than we were before.' She joked, watching as he stumbled about, comically maudlin and going on and on. 

After some more blind swaying, he eventually settled, and that was it; the last sincere thing that any of us said to one another that day. Erin lay down with Joel next to her in the shade. Tilted back with arms rested at their sides. Somehow it was just as Joel had said: Two people, in two different places, fading off into some sweetly shared reverie.

I wandered back into the house the last time, returning with an old patchwork blanket. I covered both of them up and then joined them on the grass. When I'd settled in, Erin rested her head on my shoulder. As I slowly blinked my eyes, the world outside of our small sun-sanctuary became a hazy blur. The music of chirping birds had come to a hush. In this place that was once our own floating island: All eyes had closed. 

I think I knew, as I lay there, that the glow surrounding that day would eventually come to illustrate my better times. For my part, I hope you've enjoyed it. If nothing else, it's made for a fantastic distraction, reaching back to piece together memories like scenes in a script. Yes, the story has come to a close. But there's one last drift. It's time to talk and relieve ourselves of allusion. How are you wrapped up in this unwinding yarn?

It's nice to lose yourself in the comforts of the past sometimes, maybe memories of long-lost friends, memories you keep innocently for yourself, memories to remind you of better times. That is, it is for me. 

In your case, this is more like a borrowed world, a second-hand imagining for you to attach your own faces; your own desires too. What do you think? Do we partake in these vicarious worlds for temporary comfort? Will those like us become truly reliant on escapism for solace? To tell the truth, I don't find that memories and fantasies are all that different to me anymore.  

Please don't mistake my intentions here for being in any way nefarious. You can trust that I don't think that way of yours. After all, I wrote this recollection for you. A blank slate, an open invitation to join me; tangle yourself in the transparent threads of some nostalgic cat's cradle. 

I guess this little addendum doesn't matter much; it's worth mentioning, that was the last time I saw Erin or Joel, for that matter. That next day, leaving behind a goodbye note and the town itself. 

I don't need to tell you that when you're looking back on good times, it's easy to fill the spaces between details with minor fiction: Believe me, they change every time we look back. We both know these casual epiphanies aren't worth your time, so I'll get to the pressing matter, as my limited time is running across this cream-coloured horizon.

I know you're here because you don't want to be alone, but I have a solution - You could always go back to the start. There'll always be a spot for you here with us, under the tree that bears rose-tinted leaves. Then again, maybe you'd prefer to sit by the stream. Now that I think about it, the water was never as clear again.

Come sit in the shade. Quench your thirst. If you've made it this far, you know there's only one thing left that matters: Who's sat with you in that place you're picturing right now?


Robert is an aspiring writer from Devon in the U.K. He has previously been shortlisted in national competitions.

Durell Carter

I Used to be Motivated by Love

When I throw a frisbee

made  from what I think my conscience is made —

red dirt, tree bark that knew my heart before I did,

the caterpillar who learned how to fly off rage

and rusty metal

left behind by those that learned

how to steal wings from

corvids that had to earn theirs the hard way,

the piece of fabric your least favorite parent

told you not to pull at

with bad intentions,

and the heartbeat

attached to the face

my son will never know

I catch it with my teeth.

And spit my enamel in the direction

the wind blows the hardest against me.

I let the pulp crush the flies, mosquitos,

and creatures that devour

plastic amens that take residence in the roots

of my gums borrowed space

on my tongue that shelters the intrusive moments

where vocal violence is always

froggier than my ambitions.

I flashback to when I was blessed enough

to not know that I was blessed,

but burdened enough to taste

salt and vinegar

through strangers' unearned hatred of me,

and smile,

because every house I have built

on their dirt

has never been the fault of my borrowed hands.


Durell Carter is a writer and a teacher that lives in Oklahoma. He recently graduated from the University of Central Oklahoma with a graduate degree in English. He has work published by The Lickety-Split, From Whispers to Roars, Drunk Monkeys, Petrichor Journal, and others. Durellcarter.org

Jack Bordnick

Facing it Together


My sculptural and photography imagery is a reflection of my past and present forces and included in the imagination of my life’s stories. They represent an evolutionary process of these ideas and how that all of life’s forces are interconnected, embraced and expressed thru creative art forms. The predominate imagery deals mostly with facial expressions of both living and non-living beings and things. These present, mythological and magical imagery.

Averie Fraser

See You Next Friday

Mom is drunk again, and digging through the drawers of my desk. I ask what she’s looking for. “Drugs.” She tells me. I’ve never done drugs, it’s just wishful thinking; she hopes she’ll find something fun to keep for herself. She moves on to my dresser drawers, then to my closet, then to the AC vent where the screws are still missing from the last time.

No drugs, imagine that. She returns to my desk. She sifts through individual things now—journals, loose papers, boxes of pencils—muttering something about everyone having something to hide between slurred verses of Tiny Dancer. I ask again what she’s looking for. She only sings louder, deceitful in her gaiety. Drama is the answer, a tempest in a teakettle. She wants an excuse to yell at me. She’s in the mood for a fight.

I tell her she’s drunk. She denies it. If it’s a fight she wants, maybe I’ll give it to her and she’ll leave me alone. I just want to write. Please let me write. I tell her it’s time to go to bed. She tells me to go to bed. I tell her I can’t because there’s a crazy lady in my room.

There it is; the Friday night drunken rant about how this isn’t my room, it’s her room because it’s her house. I should be grateful she puts a roof over my head and clothes on my back. I’ve been buying my own clothes for years but that’s not the point. I should be glad she doesn’t beat me, glad she lets me eat her food, glad she lets me keep the door on the hinges.

I don’t look at her. They say if you meet a wild animal you shouldn’t make eye contact; they take it as a challenge. I close my laptop. I can’t write in her presence, can’t let her know I’m writing, can’t give more kindling for her fire. Not like last time.

I silently weep. Satisfied, she leaves, slamming the door behind her. See you next Friday.


Averie K. Fraser has been writing stories and poems for as long as she can remember. She currently resides in Pennsylvania.

Rohan Buettel

Cicadas

still early morning

the green grocer cries

the muscles of a tiny sixpack

tighten to impress the girls

timbal ribs buckle inward

expel a pulse of sound

cicadas inhabit

the hollows in my head

the sound of cellophane

scrunched and squashed

the constant crinkling of

plastic bottles squeezed and crushed

a thousand tin clickers

click a thousand times

then I hear a warbling waterfall

the morning joy of magpies

I rise from a suspended state

put on the lively day

the cicadas recede but still remain

other voices claim the stage

yet the moment of most intensity

straining to hear the softest sounds

the harp amidst full orchestra

a woman’s gentle voice

a restaurant conversation

the cicada chorus resounds again

consigning me once more

to the society of insects


Rohan Buettel lives in Canberra, Australia. His haiku have appeared in various Australian and international journals (including Frogpond, Cattails and The Heron’s Nest). His longer poetry most recently appears in The Elevation Review, Rappahannock Review, Penumbra Literary and Art Journal, Mortal Magazine, Passengers Journal, Reed Magazine, Meniscus and Quadrant.

Jasper Glen

The Hangover

The sun is a stoplight, precluding

The livid room above the drugstore.

Isolated unit, so a set of steep stairs

To it where friends sleep on the floor

After a night out feels like dying.

No, I’m fine. I’d like black tea, please.

Turn the kettle on, come watch, see

What you said last night in argument

Wouldn’t apply. I’m not fighting you.

We go over the same ground. One

Person searching another before

Time enough to find what is down

There; basement of the mind.

Turn the T.V. on. I am a person.

Surely the dogs barking and the early

Breeze could snap you from sleep

But you were so closed off, I took

A leak without you looking. It’s not

Fair you can enter the deep like that.

Sitting by the fireplace, witnessing

What space comes to mind in the morning.

Why can’t we do without it like in dreaming?


Jasper Glen is a poet from Vancouver, BC. His poems appear or are forthcoming in mignolo arts, The Ekphrastic Review, The Antonym, and Island Writer Magazine.

Heather Bartos

In Parentheses

She was one of those wispy, ferny girls, tendrils of hair cascading down in curls, drawn in segments and fragments, in tentative little curves. The whole summer we worked there, at the health club where nobody was healthy, where the women were all underweight and baking and bronzing themselves by the pool, I never heard her use a period at the end of a sentence. All of her sentences ended up in the air: “Hi, my name is Carli? I’ve worked here for six months? I love the employee discount?”

At first, Ryan and I made fun of her. We would grab an ice cream sandwich and stretch out on the chaise lounges on our breaks, giving the stink eye to any kid who dared to splash water near us. The best part of the whole deal, we agreed, was wearing the whistles on the long lanyards with the health club’s logo on it. These were what gave us the status of lifeguards instead of just high school kids who worked at the snack bar, like Carli did. We blew those whistles with a vengeance at anyone who tried to challenge our authority in the water, whether it be frolicking teenagers displaying a little too much PDA for the family pool or defiant four-year-olds who threw their stuffed animals in the water and ordered their parents to retrieve it for them (true story).

“Hi? I think I’m saying hi? But I can’t remember what I was going to say?” Ryan said, in an airy, insubstantial voice. He was looking good in that dark blue tank top, biceps and shoulders defined like sculpted marble. He wore his sandy blond hair longer that year, tied back into a little ponytail, smelling of coconut oil and chlorine.

“I can’t think of what I was going to say?” I added, wadding up the wrapper of my ice cream sandwich and shoving it into the cup holder on the chaise lounge. “Because to have something to say, I’d have to have a thought, and I don’t like those because they kind of hurt?”

He laughed. We laughed together, watching the water shine on the water, the warm sun smiling down upon us. This was our summer, and if he had not noticed me yet, that I was always there for him, and that I always planned to be, it was early in July yet. If Carli was punctuated with question marks, Ryan was struggling with ellipses that summer before he was supposed to start college.

“I don’t know….” he would say, gazing away from me, away from all of the people surrounding us.

“Maybe it’s one of those things….” he said another time, not finishing his thought, swirling the ice in his plastic cup.

I was in parentheses. (Girl next door, always a friend, never considered anything else, until one day it happens, and he looks at her with new eyes). Always a buddy, up texting until 2am about his broken heart from another girl, agreeing, empathizing, waiting.

Was I in those ellipses too? When his voice trailed off, was he thinking about me?

We got back up after our break, ready to blast those whistles. I left the wadded- up wrapper in the cup holder for Carli to discover. That was her job. I just hoped she didn’t strain her delicate self picking it up.

I had to go with my parents to a funeral. I told Carli I would be gone for a few days.

“Oh,” she said. “That’s really sad? I hope you are okay?”

I made my face go all serious. I nodded tightly, crimping my lips together.

“You didn’t even know your great-aunt,” Ryan said, coming around the corner. “And you are still so heartbroken about it. How touching.”

I poked him with the plastic spork I was using to scoop up my nachos.

“You going to add a few fake tears in there too?” he asked. Then he added, “I’ll miss you.”

He moved on to blowing the whistle at a toddler who had removed his swim diaper. I continued attacking my nachos, a big lump in my throat.

When I got back from the funeral, the late July heat had become sultry. Things that did not belong together, like skin and plastic, were stuck together in unnatural ways, saturated with sweat and humidity.

I had to believe that was the explanation.

Because when I returned from such a somber and solemn event as a family funeral, what did I see but Ryan and Carli? His arm was around her? His nose was buried in her hair as he stroked those wayward tendrils with his fingers? He spent a lot of time at the snack bar, forgetting to blow the whistle?

She had a glow about her, not the pre-cancerous kind that was on display everywhere at the health club, but one that reminded me of my nightlight as a kid, that little glass angel that chased the dark and monsters away. How had I missed this before, this light that came from inside her?

He was like a moth, absorbed by the halo around the porch light. She became an answer to every sentence that he couldn’t finish. And he was her answer, too, grounding those breathless statements, anchoring them to something solid.

(And I was there too, somewhere, undiscovered and unexplored).

I was almost through my whole shift, consuming a bag of Pringles alone on my break before he told me.

“So, Carli and I are seeing each other,” he said, as if I couldn’t see that myself, as if there weren’t enough visual cues already, as if we hadn’t spent most of the summer seeing her together before he saw her alone.

“Great,” I said. “I hope you’ll be very happy together.”

He wore the same thoughtful expression he had when his sentences trailed off into silence.

“That doesn’t sound very sincere,” he said. “How was the funeral? Everything you imagined and more?”

I felt tears rush into my eyes and clog my throat.

“Hey, sorry,” he said. “I didn’t mean it like that.”

I got up, wordlessly, splashing feelings from my eyes, sensing them as they rolled down my cheeks and into my collar.

“I really like her,” he said from behind me (still needing me to be his friend, to be the buddy, to listen). “I don’t know…it just kind of happened….”

I went back inside and told my manager I was quitting—and asked him to mail my last paycheck—then I rode my bike home, the air cooler and more refreshing as I found speed and distance than when I was waiting and still.


Heather Bartos lives near Portland, Oregon. Her personal essays have appeared in Fatal Flaw, Stoneboat Literary Journal, miniskirt magazine, and HerStry, among others. Her flash fiction has been in The Dillydoun Review, Tangled Locks Journal, and The Closed Eye Open, and is forthcoming in Scapegoat Review, Drunk Monkeys, and Peregrine Journal.

Hanniel Levenson

In the Garden With You


Rabbi Hanniel Levenson, was born in Israel and grew up in NYC. Hanniel received a B.A. in Religion & Art from NYU, a M.S. in Environmental Policy from Bard College, and Rabbinical Ordination from AJR. Hanniel is a gymnast, yoga teacher, artist, clothing designer, and surfer. Painting is a sacred art, physical therapy, and playful experience. Studying texts from the world's wisdom traditions Hanniel turns to the canvas to explore meaning and integrate the teachings into his being.

Kevin Lane Dearinger

Alone or with Others

Like those dammed daffodils

Wobbling in Wordsworth’s head

Fermenting in the promiscuity

Of his far too-eager heart

I hold close what once was home

Even as each image slurs and runs

Becoming with each liquid memory

A new-washed invention of time

That’s never still just what it was:

A creek that ran bone-cold through

A frame of green and lichened trees

With hard clay fields beyond a house

Red brick and board with, oh,

Bedrooms thinly warm in December

And clotted in the insect-screaming June

Spaces right-angled for family dining

Shared living seven steps up

And seven uncarpeted steps down

With tidy kept corners that never

Cleared for a moment of private thought

Unless one slipped among the rows of books

And sought out the unstable shelves

Of seductive slip-covered solitude,

Or tramped, head down, up the tilted land

Listening for the harsh rush of crows

The shriek of the hard-faced jay

And the sharp cry of the stricken fox

While wondering who

All those tattered people

Chipped like antique china

Really were and knowing how

Uncomprehendingly each sacred day

I would let each of them down

Even as we sputtered and drowned

In the wet-weather springs of devotion.


Kevin Lane Dearinger is a retired Broadway actor-singer and English teacher. Publications: The Bard in the Bluegrass, Marie Prescott, Clyde Fitch and the American Theatre, several plays, and two memoirs, Bad Sex in Kentucky and On Stage with Bette Davis: Inside the Fabulous Flop of Miss Moffat. His poems have appeared in a variety of journals and magazines. His work attempts to keep time with his Kentucky heritage, his love of family, his LGBTQ identity, and his own erratic pulse.

GJ Gillespie

Windmills of Your Mind


GJ Gillespie is a collage artist living in a 1928 Tutor Revival farmhouse overlooking Oak Harbor on Whidbey Island (north of Seattle). Winner of 18 awards, his art has appeared in 56 shows and numerous publications. When he is not making art, he runs his sketchbook company Leda Art Supply.

Romana Capek-Habekovic

The American Story

The evening sneaked up on me, and when P.G. parked her red convertible at the end of our driveway, it took me by surprise. I thought that she was supposed to come the following week. She was on my mind that afternoon, and I was looking forward to our meeting since we have not seen each other for a while. In the meantime, our lives evolved, especially hers after a recent divorce, and mine in smaller measure. It did not matter that one of us got the wrong date; I was just happy watching her walking toward the house. I waited for her at the open entrance. We greeted and hugged each other, and I wanted to ask her where her children were, when she explained that Lisa, the oldest of her four kids stayed home to babysit her brothers.

“I didn’t feel like bringing them along because I would not be able to talk freely. I wanted to bring Marty, but he was too shy to come. Perhaps he’ll join us the next time.”

Why would she ever bring Marty? I thought. I have nothing in common with a retired salesperson from Sears. He was her second husband and about twenty years her senior.

Before entering the house, she beamed at her convertible.

“You didn’t see it yet. I just got it. I love it! It’s great!”

“Yeah, looks super. I bet that the May breeze feels wonderful?”

“I didn’t have it in May. Next May I’ll feel it.”

P.G. looked fantastic. She was one of those people whose outer appearance is a reflection of her mental and emotional harmony.  Her honey-colored locks of hair cascaded down to her shoulders and framed her make-up free freckled face and dimpled cheeks. She wore dentures at seventeen because she was afraid of dentists; consequently, a dentist had to extract all her teeth because of irreparable cavities and gum infections.

“I hated dentists, so I lost them,” she once told me.

“Come in the living room,” I invited her. “What can I give you? Cafe?”

 “No, do you have a beer?”

“I do. I’ll join you.”

She faced me sitting in the orange velvet upholstered chair with her right leg resting on the knee of her left in a way men do it. Such a relaxed position leaves a gap between legs that suits men because they wear pants, but women in the same sitting position wearing dresses or skirts would reveal their underwear. I never saw P.G. in a dress or a skirt probably because she wanted to feel free to choose where and how she was going to sit. That evening she wore jeans, tucked in her high-heeled boots and cuddly pink top. There was nothing refined in her manners and speech, and yet she looked regal to me because she felt so comfortable in her own skin.

“What about you? What is happening?” she asked me.

“Oh, not much new. Life goes on as usual, working, driving kids around, and taking care of the house. You know the same old crap.”

“I really wanted to bring Marty; he is great. If not for him, I would have already gone nuts. Don frequently skips the alimony for the boys. I make $4.50 an hour at the Hamburger Place, work there eight-hour shifts, and deliver pizza four hours every night.”

“What do you do at the Hamburger Place?”

“I make patties, and occasionally I advertise the food in front of the restaurant by wearing a giant hamburger costume. That’s how I met Marty. He introduced himself by telling me that he liked how the cheese hung out of my buns.” She grinned remembering that sentence.

“What an existence being a full-time hamburger! But it puts the food on the table.”

I looked at P.G. and just loved hearing her talk void of self-pity and dignified in her selfless care for her family. Her outlook on life was both positive and realistic at the same time. I envied her mental steadiness and the zest for life she succeeded to keep despite any hardship she was enduring.

“God, Marty is incredible! Lisa hates him because he is so old. I don’t care. I fell in love with him when he first touched my hand. Oh Jesus, I shivered all over. I would have stayed with him in his house that afternoon, but the kids were due home from school. I would have stayed.”

P.G. was all aglow talking about Marty and their eating at different restaurants, about his divorce, and about his jealousy when Don visits their boys.

“Oh, yeah, he is great! I wouldn’t trade him for anybody younger.”

I believed her. She was sipping her beer slowly, thoroughly enjoying it. To her, life had a full flavor. She took what was in front of her without interjecting her past into it or projecting her future. P.G. was not shallow, not at all; she just figured out the right way to live. By talking to her, I learned about existential basics, about things that matter and those that should be left alone or pushed aside.

“God, we are so different, and yet at that moment I felt so close to her,” I thought. By comparison with P.G., I saw myself like a shadow of an existence.

“P.G., I envy you. I really do.”

“Come on, for what?” My question surprised her.

“I have had nothing but troubles since I can remember. You know what” –she switched the subject – “I don’t like that guy Mike. I had mentioned him to you. He spends too much time with Lisa and drinks a lot. She is too young for him. Lisa thinks that I hate him, and I do. He has no business being near her. I have to tell him that. What the hell, it is my house, and I don’t want that jerk to put moves on my daughter.” P.G.’s anger made her freckled face red, but her eyes remained mild. She was not capable of hating somebody. Her sudden burst of ire was a result of her constant worry for her daughter’s well-being.

“Are you taking any vacation this year?” She shifted our conversation in my direction because she did not want to continue talking about herself and her family.

“Maybe, but it is still up the air. We did not decide yet. It all depends on when Dean will be able to take time off.”

Our exchanges jumped from one subject to the other. P.G. talked fast, often finishing her sentences with a laugh. I loved that about her because by doing so she created lightness in the air. “I like your jeans and the top. Where did you get it?” I asked her.

“At Meijer’s. Marty hates when I wear tight jeans and blouses that reveal too much. He always tells me to unbutton just a few buttons down from the collar because he does not want men to stare at my boobs. I like it when he is jealous.” She winked.

I glanced at our new piano behind P.G., an elegant addition to our living room. All the furnishing in it was carefully selected and expensive. Dean and I enjoyed living surrounded by nice things. “Where did you buy these blue leather chairs? I didn’t see them the last time I was here.” She picked up on my thoughts.

“At Hudson’s Warehouse sale, I paid them only $300 apiece.”

“You must be kidding me! I could furnish my whole living room for that kind of money.” Her reaction was just a statement, not a judgment, on my spending or envy.

I wanted to ask her more about Marty. Her family thought that she had left Don to be with Marty, but this was not true. Years living with an alcoholic who refused any help took a toll on their relationship. She stopped loving Don. This was the real reason behind their divorce and the most honest one.

Suddenly I felt emotionally spent. I thought about last night that was again one of those hit and run events. Nowadays I call my sex life a screw. We do it several times a week, after the eleven o’clock news and before the beginning of the late-night movie. I leave the family room at 11:30 to take off my makeup and brush my teeth. I turn off the light, put on my nightgown, and lay on the far right of our king size bed. Soon after, my husband comes out of the dark hallway into the bedroom, drops his clothes by the bedside, and slides next to me. The room is silent, our dialogue stopped at the dinner table, if there was one, and we begin to screw. It is a lonely trip to a climax because the letdown starts with my husband’s resolute lifting of my nightgown and his mechanical touching of my breast. I lose track of time, but he makes sure not to miss the beginning of the movie. He gets out of the bed, puts his clothes on, and exits the bedroom.

There are no embraces and passionate kisses before the first dream, the love evaporated into darkness.

Life is not predictable; it is multidimensional and changes like a chameleon. Why do I feel captured in only one of its forms? The truth eludes me. I am sure that P.G. has an answer for me, but I am not ready to hear it, not yet.

“I have to go, that jerk Mike is probably still in my house, and Lisa doesn’t know how to get rid of him. Call me when you are free. Next time I’ll bring Marty. I want you to meet him. He is a great guy!”

“P.G., it’s been great seeing you!”

I hugged her soft, warm body, and her tender squeeze made me forget last night.

“P.G., you are such a great person!”

“Oh, come on, I am just a walking hamburger, remember?!”

I watched her briskly walking to her red car and thought how lucky I am to have her in my life.


Romana Capek taught at The University of Michigan all levels of Italian, including courses in Italian literature and culture. She is the author of numerous articles on the twentieth century Italian literature and film. Her stories appeared in New Reader Magazine, Every Writer, and Passager. Her interests also include culinary traditions of different countries.

Aïcha Martine Thiam

tigers don’t fall from the sky

i get locked in the ventilation room of the fine arts building while spraying my composition with finishing matte / one wednesday evening in march / see the lock click into place / before i ever really hear it / and get the familiar jolt of exhilaration

there’s a pattern in the ceiling of my mind / it brings me to the precipice of a thought / ‘what a cool way to go’ / and another / ‘this shouldn’t be your first impulse’

down state street silhouetted art students go home / bracing canvas bags bigger than themselves / against chicago’s wind / someone could see me, i could ask for help / i think instead of my own canvas bag / of being buffeted last september walking home / how my ankle twisted and the canvas shoulder strap broke / and how then, too, it was / another jolt of exhilaration / another ‘cool way to go’

in the twilit luster / i see my world differently / ‘i feel like how you draw hands says a lot about you’ i once said in a trance / i must have pre-known something i only today comprehend / hands i meant to render inviting / now seem clawing / dull drab colors lifted to rival with the vivids as i varnish them

on my knees / i wander into aimless thinking / about the stove i may have left ajar / about the ringing phone i ran out on / about (again) my childhood fixation with / fringe movies / about how my current predicament would very much happen to one of those protagonists

i don’t want to be functional / with ventilator fans whirring, accusatory / it is easy to relinquish coherence / ‘something is wrong with you’ / a thing i too seldom tell myself

maybe it doesn’t need to be said

when you go tubing at 15 in pissed-off lake potomac / and she flips you over with a petty wrist flick / when you go rock climbing for the first time / with a bleeding hand / and nearly shatter your toe in the fall / when you press the wrong part of the mandoline / and it sends the top of your finger clean off into the apples / when you go spray-painting things by yourself / at closing time / with no phone / knowing chicago and her storms are on the way

you have to discern / limerence in the pattern / tigers don’t fall from the sky / if encountered, they were most likely / provoked


A. Martine is a trilingual/multicultural writer, musician and artist. She's an Editor at Reckoning Press, co-EIC/Producer/Creative Director of The Nasiona, and has been nominated for Best of the Net, The Best Small Fictions and The Pushcart Prize. She’s the author of AT SEA (CLASH BOOKS), which was shortlisted for the 2019 Kingdoms in the Wild Poetry Prize, and BURN THE WITCH, which is forthcoming with Finishing Line Press. Follow her work: www.amartine.com.

George Stein

Branches Homestead


george l stein is a photographer from the Northern New Jersey area focused on art, street, rural decay, alt/portrait and surreal genres. He has been published in a number of literary magazines such as the Toho Journal, Fatal Flaw, etc. Online, georgelstein.com , insta, @steincapitalmgmt.

Owen Brown

Three Acts Triptych; The Comedians


We think by feeling, what is there to know? Everything tells a story, even if the story cannot be told in words. We can not completely understand each other, communication is more with ourselves than with those around us. But if out of the prisonhouse of interiority, a painting occasions a ray of light, then it’s successful.

I’m a painter, I live in Minneapolis. My works are in collections in the US, Europe and Asia, including the De Young Museum in San Francisco and the Weismann here.

Lawrence Bridges

Men of the Beach in Tahiti


Lawrence Bridges is best known for work in the film and literary world. His poetry has appeared in The New Yorker, Poetry, The Tampa Review, and Ambit. He has published three volumes of poetry, Horses on Drums, Flip Days, and Brownwood. He created a series of literary documentaries for the National Endowment for the Arts “Big Read” initiative, which includes profiles of Ray Bradbury, Amy Tan, Tobias Wolff and Cynthia Ozick. He lives in Los Angeles. You can find him on IG: @larrybridges

Laura Voivodeship

Ephialtes

They came for me at night, while my back was turned and you slept:

    those subcutaneous devils you yourself had sown.

They flooded me with seething light and spoke in tongues cut from your own

    which had already died in your mouth. In your dreams you twisted and wept

    and I couldn’t find the root of my own voice to wake you; they kept

    me pinned to the window with my eyes and lips sewn

    up against the acts I’d been shown and shown

    until the scenes bled together and pooled in the places I had already stepped.

I tried crushing them beneath the heel of my foot.

I tried prising them out from under my skin,

    pulling them up from the roots like hairs

    until the pain was a chorus ringing in my ears and swelling in my gut.

And still you slept, hiding behind latitudes and the thin

    veils of unfamiliar maps. You won’t wake for such nightmares.


Laura Voivodeship writes mainly erasures, sestinas, and odd bits of prose that go nowhere. Her first full-length collection, Redactions, is forthcoming from Stairwell Books in the UK in early 2023.

Nancy Shuler

Dusk


Nancy is a recent Bachelor of Fine Arts graduate and has started her career as a professional fine artist. She has painted in oils since childhood. Growing up in Silicon Valley, overlooking San Francisco Bay provided ample opportunity to paint at her easel every opportunity.

Tamara Nasution

Daughter-in-Law

I will be exemplary, I swear I will

make your mother happy. The prejudiced

society will watch over me with jealousy for she

will love my morning hair and my gait as I

walk down the stairs, embracing her good morning

as she sings daughter, what a shiny ring.

And I will be the daughter of someone

new. I will hang my ego on the shelf loving you

never at her expense; guarding her greatest treasures:

pagan jewelries and a single sapphire.

I will spend my days asleep by her feet silly-

sallying mother, I wish to call you one forever.


Tamara was born and raised in small town in Indonesia. She has been writing since her preteen years and has several pieces of her works selected for publication, including for a poem contest organized by the ASEAN. Her writings are mostly derived from her personal experiences; she often writes about what it is like to be queer among a heteronormative society. When she's not writing, Tamara works full-time in a nonprofit focusing on children.

Roger Camp

Hill of Crosses


Roger Camp is the author of three photography books including the award-winning Butterflies in Flight, Thames & Hudson, 2002 and Heat, Charta, Milano, 2008. His work has appeared in The New England Review, Southwest Review, Chicago Review and the New York Quarterly. His images are represented by the Robin Rice Gallery, NYC.