Julie Benesh

Birds of the Midwest

The July I was fifteen, weekdays, after my dad left for work,

Mom and I would don bright blouses to go visit his father,

my only remaining grandparent, at St. Luke’s Hospital,

about a two mile, ten-minute drive.

On the way we might stop for a dollar’s worth of gas,

and Shorty would pump it, waving his lit cigarette

as he jabbered, I bracing for an explosion as my mom

nodded and murmured in a way he clearly interpreted 

as encouraging. Once I sighed, audibly, and he ducked

his head saying, Well, I’ll let you go.” My mother

scolded me as we pulled away and quit

taking me there, but I figured I did her a solid,

quite possibly saving both our lives.

The nurses annoyed me by referring to my grandpa as my mother’s

father. In-law, I would add under my breath. In-law, they would repeat,

condescendingly, pursing lips and rolling eyes.

But someone had to stick up for her, give her credit.

After the visit, before I would take off to flirt and gossip at the public pool, 

we usually had lunch at the coffee shop across the street from the hospital. 

One day I became distraught that the fried chicken I had ordered tasted 

both familiar and yet wrong and I imagined it was turkey,

what I thought turkey would taste like fried, so tough, dry 

and flavorless I couldn’t finish it. “Well, just don’t order 

it again,” said my mom, polite as ever.

One rainy Saturday, my parents went together to the hospital

and must have let in the robin I watched careen off the walls

of our tiny house. Our three cats watched too, and it saw them. 

I knew there was a way to take a towel and shoo it out, 

but I was outnumbered. Overwhelmed, I retreated, defeated 

into my walk-in closet of a bedroom, closed the door 

and nestled to sleep immediately, waking a couple hours 

later when my parents returned. I emerged, cotton-

mouthed and groggy, shaking my head, 

asking, Where’s the bird? What bird? A robin 

got in… Are you sure you didn’t dream it? Yes—the cats 

went crazy. We found something on the floor 

by the cats’ dish that looked like a yellow beak. 

But where were the feathers, the bones, the blood?      

My mother’s father-in-law survived and went home to his mansion. 

A few years later, when I was in college, my parents sold our tiny house 

to move in to care for him. Thanksgiving break we walked through our empty nest, 

footfalls echoing, and I started to cry. Did you ever find any more remains 

of that bird? Never. 

Another Thanksgiving, my mother ten years gone, 

a friend deep-fried a turkey. Like gas pump-adjacent arm-waving, 

smoke breaks, a dangerous undertaking; had to be done outside; 

could it possibly be worth it? It sounded gross. I braced. Its taste

exploded like nothing like I had imagined, so juicy and delicious 

I wanted to consume it entirely, to leave no trace, 

make my red blood and wishbone, my flightless feathers 

become so light and unassuming as to rise and rise and rise.

Swetha Amit

The Cursed Glass of Milk

The glass of milk on the table stares at me. Always white, thick, and slushy like melted snow. The smell of it makes my stomach churn. I cover my mouth with my hand while my grandmother's voice booms in the background. Milk is sacred. Milk is good for you. Never refuse, or the evil spirits will catch you. Even the Gods bathe in them. No matter what I tell her, she never understands. Neither do my parents. Neither does my younger sister. I watch them gulp this creamy liquid down their throats. Smacking their lips in pleasure. Relishing the taste of this foamy swirl. 

The glass of milk mocks me. I struggle to take a sip. I choke, gag, and cough. The white goop of mucus finds its way onto my table mat. Judgmental expressions. Judgmental remarks. You like ice cream. You like yogurt. You like milk sweets. You like milkshakes. You do not like milk? 

I stare through the window at the moon until stars dance in front of my eyes. My mother clears the table, and my family retreats to bed. I sit in the chair, facing my glass of milk. I curse the cows who produced this foamy liquid. I curse the milkman who drops off a bottle every morning at our doorstep. I curse my family for forcing me to drink a glass every night. 

Trees sway in the gentle breeze outside the window, whispering to each other. The glass of milk smirks. I pour the phlegm color liquid out the window. The glass has lost its sheen. This time, I smirk and mock it. Triumphant by my unexpected impudence. I watch the white droplets trickle to the bottom of the glass. I place it on the table and go to bed. 

At night, I have dreams. The falling white glass has sprouted arms and beckons for help. Its banshee-like screams haunt me. I see two shadows dressed in white, almost like a blur. I toss and turn, feeling anxious. Were the Gods angry? Were the evil spirits going to catch me? I open my eyes to the rooster's crowing. I come out of my room and hear my grandmother grumble that the milkman did not show up. She looks at me with raised eyebrows and points at the table. You did not drink your milk, she scolds me. I stare in horror and wonder-If the milkman didn't come, then who? How? I don't understand. My stomach churns. My head swirls. The glass of milk stares back at me. This time, it is white with a yellowish tinge, like soup made of crushed bones.


Swetha Amit is currently pursuing her MFA at University of San Francisco. She has published her works in Atticus Review, Oranges Journal Gastropoda Lit, Amphora magazine, Grande Dame literary journal, Black Moon Magazine.

Rebecca Monroe

Forest Service

My note to myself says stay positive because this is about the Forest Service that was. It’s not gone completely yet, but it’s fading faster than I ever thought possible. Someone got the idea to ‘modernize and homogenize’ the Forest Service. The changes come daily with a coldness foreign to employees with any years under our belts. I suppose, as the saying goes, all good things must end. It’s hard to live it though.

The Forest Service was always a warm organization. We had a job to do, yes, and each of us knew success rested on our fellow employees. While now it sounds altruistic, that doesn’t make it any less real.

I took a job with the Forest Service on the White Cloud Ranger District in WhiteCloud, Michigan reluctantly. Originally, I’d just gone in to the office because I needed one more signature on my unemployment form to get my check. In those days, one had to have signatures of where one had sought work. I went in with my form and handed it to the woman at the front desk who was wearing a Forest Service uniform.

“Hi, would you sign this, please?”

How must I have looked to her! Twenty-years-old, in good health, and on unemployment?

She handed it back unsigned. “We have a slot in our Young Adult Conservation Corp program. Come in on Monday, we’ll give you your forms and send you for a physical.”

Stunned, I could hardly say I didn’t want a job. I think I managed to stammer, ‘thanks’.

I was hired and the woman became my friend and mentor. The Y.A.C.C. program was a way for people my age to learn job skills, make a decent wage and for the Forest Service to have work crews year round. It was, as with many of their programs in those days, a win-win situation.

True to the Forest Service then, and now, being female did not mean answering the phone. I was hired to first work on, and then lead, a survey crew. Eventually I ran transit and set boundaries between private and federal land. It was refreshing and challenging.

It was a Forest Service district of caring and honor, made up of people who quickly became family.

When I was hired over another to be a crew leader, my competition decided she’d been unfairly treated. She complained, out of anger, when the crew had to sit in the truck all day as I and the lead surveyor searched for a corner marker.

Honor required my supervisor to address the situation. Fairness made him start the meeting with, “I have to talk to you, though you’ve done nothing wrong.”

It was the first of many examples I would use in the future on handling awkward situations.

Eventually I was hired full time as a receptionist. In a Midwestern town of 2000, with no college degree, it was an excellent job opportunity complete with benefits. Later, it was a way to expand the family by transferring around the country; new jobs I knew I could already do. New families I already had a connection with.

In those days, on a small district, being a receptionist also meant doing campground patrol on the weekends, fighting fire, being an aerial fire observer, manning the radio, and going out to patrol the woods to keep an eye on things. In those days, support and opportunity flowed both ways. We had a district to run. All of us together. Which included my District Ranger babysitting my son in the office so I could fight fire.

We laughed, a lot. We shared stories and adventures. We watched out for each other. No supervisor went home if one of their employees hadn’t come in from the field.

The supervisor waited or called the employee in for the day. You knew, in those days, you had an office full of people who would stand up for you, professionally or personally, it didn’t matter. Nor did our hours. We stayed as late as we needed to get the job done.

Stay positive, my note says.

Then someone flipped the switch and said ‘it’s over’.

The reason, they say, is money though their ‘studies’ are showing otherwise.

The reason they say, is money...

The loss, we know, is caring.

I am so glad I can miss the old days, because I lived them.

A while ago I was on a conference call with twenty people of ‘opposing’ sides—those needing things completed to do their job, things they’d waited months for. Those who couldn’t fill the need because of sudden changes. People on both sides had a right to be angry, to be frustrated. And I smiled. So many sentences started with ‘we know you’re trying’ and ‘we know your need’.

Us. The dinosaurs of a changing organization caught in systems that don’t work, still remembering the family values.


Rebecca lives in Montana in a log cabin by a river. She has over 100 published stories and a book of short stories, Reaching Beyond, published by Bellowing Ark Press. She loves to read, take walks with Dodge, her dog, and volunteer at the local animal shelter.

Kevin Howley

The More Things Change

The last time I saw Syd was in the back room of Bear’s Place. The occasion: a memorial service for one of the regulars, Jasper, better known to one and all as “Lefty.” So called because he was an unapologetic Marxist who hustled his entire life, working for tips delivering pizza and doing small engine repair on the side. 

With his charm and intellect, he could have been a lawyer, or a historian, even a stock broker— you name it. Instead, he made a career chain-smoking Camels and holding down the end of a bar. Lefty ran out of time six weeks earlier when paramedics found him unresponsive in the alley back of what used to be Player’s Pub. His luck ran out years before. 

Syd and I were catching up over shots of whiskey when Lefty’s cousin pulled me aside to talk about going through his vinyl collection—Lefty’s vintage surf and punk rock LPs would bring in just enough cash to cover some outstanding bills. 

Syd stepped out for a smoke, and I figured we’d catch up before long. We didn’t. That was late November 2019, just before the world changed. 

Then, last August, while I was walking the dog along the B-Line trail on my way to the Atlas Ballroom for a pint, I heard a faint, but instantly recognizable laugh. There, outside Bloomingfoods Market, a group of locals were lingering in the cool summer air. Louder now, that delightful laugh rang out a second time. 

Scanning the crowd, I recognized Syd’s auburn curls atop her lean, muscular frame. I waved hello, but wasn’t sure if she’d recognized me. I didn’t want to intrude on the impromptu gathering, so we kept walking. 

Crossing 6th Street, I heard Syd call out my name. “I want to talk to you,” she said. 

Syd looked better than I remembered. Better than ever. Whatever she’d been doing during the pandemic, it was working. I tried to keep cool, but it was thrilling to see her again. 

I introduced Syd to Penny, the German Shepherd rescue dog I adopted during the lockdown. Before I knew it, I asked Syd if she wanted to join us for the evening. “We’re off to Atlas for a couple of pints. The night is young and I’m buying.” 

“Thanks,” she said. “I don’t drink anymore. But I wouldn’t say no to an espresso.”

With that, we made our way down Kirkwood Avenue, in search of coffee for two and a cool sip of water for the pooch. 

Once we’d found a quiet spot on the patio outside Soma Coffee, Syd and I compared notes on surviving the pandemic. 

“The PPP made all the difference,” Syd explained. “With the bars and restaurants closed, I wasn’t making a dime. Let’s face it, my pottery isn’t gonna pay the bills.” 

“It was scary,” she added. “In the beginning, I was self-medicating.”

“Same here,” I confessed. “But at least I could work from home. I still had a paycheck.” 

“It got really bad,” she continued. “I actually thought about moving back to South Bend to live with my mom.” 

“You left town?” 

“No. I started my own business! After twenty years tending bar, putting up with drunken frat boys and grabby managers, just so I could pay the bills and make pottery, I quit.” 

Syd proceeded to tell me how she gave up booze. 

How she started a small landscaping company. 

How she’s never felt better about her art.

How her life had changed. 

No doubt about it, Syd was a changed woman. 

There was always something a little wild about her. When we first met, I found Syd a bit meanspirited, dangerous even, and yes, inevitably, oh so exciting. Back then, I was a married man and kept a discrete distance. 

But now, the calculus had changed. Her whole demeanor was different. She was lighter, brighter and happier than I’d ever seen her. And I was a free agent. 

When the coffee shop closed for the night, I offered to walk Syd home. But she was parked just outside the market, so we headed back toward the B-Line. 

Despite my best efforts to conceal it, my heart sank a little when she told me that back in April, just as the vaccines made life a bit more recognizable, she went to visit her mom and ran into an old boyfriend from high school.  

They’d kept in touch through social media ever since. Before long, they were a couple again. 

“We’re moving in together at the end of the month. Can you believe it? We’re renting a little place on the near West side, not far from Rose Hill.” My heart sank for a second time. And there it remained. Syd could see it plain as day. 

She reached into her bag and pulled out a battered pack of American Spirits. Syd fumbled for a lighter—and I tried to come up with something to say. 

“Well, we should get back home,” I stammered. “Classes start next week and I’ve been procrastinating all summer.” 

“But if you need a hand with the moving, give me a call,” I added lamely. “Thanks,” she said. 

Following the all too predictable silence, Syd continued, “It was great seeing you. Penny is adorable. A real chick magnet, I bet.” 

With that, she turned toward her car, and the dog and I headed back down the B-Line. 

“Hey, Syd” I called after her. “What’s with the cigarettes? I figured you’d given up the cancer sticks along with the booze.” 

Looking back over her shoulder, she laughed, and said with a shrug, “You know how it is. The more things change.” 


Kevin Howley is a writer and educator based in Bloomington, IN.

Maddalena Beltrami

To The Marbury Marlboro Man

It was sometime in 1985. I was a 28 year-old, working for the US Customs Service at JFK Airport in New York City. My work took me traveling to Washington DC for a week or two at a time throughout the year. My lodging of choice was always the same; the Marbury Hotel at the edge of Georgetown.  My nightly routine was always the same; dinner then flirting with the bartenders at my favorite Georgetown haunts. Usually, my trips were accompanied by a few other coworkers from around the country. This time I was there on my own. I walked back to my hotel each night by myself, always with a cigarette in hand. I smoked in those days- a lot.  On the second night there, I saw a man sitting on a one step alcove in front of the door of a closed office building.  

He was tall. I could see that even as he sat on that small one step concrete stoop.  He had jet black unruly hair, although the word becomes “unkept” when applied here and not in the civilized halls of polite society.  His long black coat, while not in tatters, was clearly the garb of one without a home. He had the bluest eyes.  He was in his mid-thirties, I think.  On the second night he was there again. This time he pointed to my cigarette and nodded the question, “Do you have an extra one”.  I smoked Marlboros at the time.  I gave him one along with a light and went on my way.  On the third night I stood and talked a few minutes.  I had so many questions for him. He intrigued me. He had not the trappings of the usual bum on the street bumming a smoke. Beneath the grime and grit of his clothes and hands, there seemed a veneer of better times before. The only question I ever dislike is the one not asked and so I asked.  What was he doing out here? He left the corporate world he lived in, he said. He hated it and what it had become.  I didn’t ask if it was by his own accord or with an unwelcome escort or if his next stop had been a mental institution.

In those years after Mr. Reagan took office, one of the calamitous effects of the stroke of the Executive Order pen was to reduce the beds in this country for the mentally ill from 6 million to 600,000 by the time the budget slashes were done. It was the days of the homeless pouring into the streets and under the overpasses of highways and byways all over this country. My own Times Square in New York became a mecca for it and so had Washington DC.  And yet this man didn’t seem to fit that bill of mental incapacity at all. Or so it seemed to this naïve young mind.  I stopped each night thereafter, always with the same routine. He asked for a cigarette but now I found it my license to sit and ask more questions.  How does he survive this way? How does even the basic tenets of privileged hygiene occur?  I wish I could remember all the answers now.  But I do remember we got to know each other in those brief half hour or so visits each night.   I liked him.  He seemed to like me.  

It was late fall.  The air was getting chillier each night I stopped.  On about the seventh or eighth time, I asked him a question and as I did, the question didn’t even seem to be coming from my conscience mind.  It was accompanied by that other voice in my head that said, “Are you insane?”  It was cold. I could not fathom a night out here on that stoop for him.  I asked if he would like to come back to the Marbury Hotel with me.  At first, he was even more stunned than I was by the asking.  But then he smiled and said yes.  I was so happy. I regaled him with tales of a  lovely shower. I told him there were two beds in the room.  We walked down that street and into the hotel. I averted the eyes of the bellman and the concierge.  I did not want any questions I had no answers for.  We went up to the room. We talked more hesitantly now without the easy comfort of sitting side by side on our little stoop.  I was nervous in a way that would never make me bolt for the door though.  He took a shower. He had a bag of sorts and changed his clothes. He washed his socks and underwear in the sink and draped them carefully to dry across a chair. I remember he had pajamas in that bag. I remember thinking how odd a thing to pack in a survival bag fit for sleeping in the streets. It made me realize his time outside could not have been that long. It seemed he packed as any traveling businessman would do even if there was no destination waiting for him.  

We turned off the lights. He went right to sleep.  My brain lingered awhile longer in a kind of wonder and delight that he was not going to sleep on the cold cement at least for tonight. I can’t say my pride did not surface a bit at having engineered this situation.  The thoughts of being killed in my hotel room by a perfect stranger were now long gone, fleeting as they were, as I felt I had gotten to know this man’s integrity, if not his whole story, in our nightly conversations.   Planner that I am, I began to think about what we would have for breakfast and for ways to help him get back into the society he so thoroughly shunned.  I finally fell asleep. He must have read my mind that night in his dreams.  When I awoke the next morning, he was gone.  I was sad and confused and didn’t quite understand how one could walk away from all the trappings of what I came to find was quite a comfortable life somewhere in Connecticut apparently.   I went to work quite unsettled. I couldn’t wait for it to be over and go back to the alcove and find him.  I went to dinner as usual.  He was never there when I walked up the street, only upon my return.   I cut my barfly time short and walked back towards the Marbury and he wasn’t there.  I never saw him again, but he has stayed with me for almost 40 years now.


Maddalena is a former wife, Federal manager and PTA President, current mother, music impresario, and fledgling writer. She has had her work published in : The Grit and the Grace Project, Grand Dame Literary, Inside Wink, Harness Magazine, BobDylanPage, The Monologue Podcasts and the Sad Girls Club magazine. She was born in Italy, raised in New York and calls Los Angeles home, along with her two sons.

Bibiana Ossai

If Home was A Kite

That late afternoon, I put on a grumpy brown outfit with a pair of sneakers and left my apartment with just myself and its shadow that straggled behind to Hoyt-Schemerhorn train station. The day wore the outfit of night. Through the train’s window, I savored every advert and movement with my webbed palms.

I reached my train stop and I walked out to the seashore of Coney Island, where I buried my feet in the sand and watched the sea waves pile on top of each other before sliding back to join the other part of themselves like layers of bread on a sled going down a snow-covered hill. Egrets gathered in a corner around some grains of food that they pecked before resuming their flight. 

At my front was a mother whose palm laced her daughter’s. The young girl with two pigtails in a white t-shirt and jeans short, holding a rainbow-colored kite in the air twisted and playfully curved her body. Her body synchronized with the rhythm of the ocean. She and her mom moved away from the water after a while to where I sat with lines of dried tears on my face. The shrieks, screams, laughter, and the ice cream truck music from the amusement park drugged me to the past. The bleakness toyed with my current state of mind. A child, a game, a chase, a swing, and a dress that billowed in the wind like a painting in black and white. I closed my eyes to silence the whispers, the hallucinations, and the loneliness that ate me from inside like a cankerworm crawling on the wet sand.

I opened my eyes to find the young girl close to me like a shed or a human shadow. She moved her finger toward my face but my head ducked backward. It did not feel right to have someone else’s child touch me without their parent’s knowledge. She withdrew her finger and sucked on her lower lip with her face cowered. I watched her; the innocent milk that ran through her veins and how we both looked black and white in different shades of skin. My mouth tweaked but no words came out. I looked everywhere for her mom whom I found behind me, engaged in a call that had her screaming silently into the phone.  

The girl looked at me and said, “I only wanted to wipe your tears. I saw you crying. Don’t you have friends? Why are you all by yourself? My mom and I come here a lot.” I watched as her lips moved like a car without breaks. 

Are all kids like this? Last Sunday after church, another young girl came and sat on the chair next to mine and told me all about her family. Could they see my loneliness wrapped around me like a blanket? I thought to myself.

We both watched a thousand starlings that circled together in the Prussian expanse of the sky in silence. It blossomed into a flower garden with butterflies dancing and mounting at the crowns of blue, green, yellow, and orange flowers before the starlings flew away.

The little girl dug her legs in the sand and kicked them away. Our eyes met and I found a planet that reminded me of what home feels like. I smiled not at anyone in particular but the idea of home not being so far away anymore. She smiled back before returning her attention to the star-like kite in her right hand that waltzed in the air.

Her mother joined us with an apologetic mask, “I am sorry. Was she disturbing you? She tends to wander off every time we are at the beach.”

“Oh, not at all. I enjoyed the company.” 

“Do you want to hold my kite?” the girl asked before turning and walking away hand-in-hand with her mother. I collected the kite.

I watched them leave the shore then looked back at the rope of the kite wrapped in my left palm. The kite swayed from left to right. Its tip pointed towards the ocean’s endlessness. I breathed in and out before releasing it. And I watched it sail between the surface of the ocean and the clouds.


Bibiana Ossai is a Nigerian writer and a Ph.D. Fiction student at Texas Tech University. She received the Marilyn Boutwell Graduate Award in Fiction from LIU Brooklyn. Bibiana won the Fine Arts Work Center, Provincetown Scholarship and others. Her works appear in African Writer Magazine, among others. Twitter: @BibianaOssai

Holly Woodward

Why Johnny Can’t Weep

My father drank until he was so full of it he slit his wrists one night over the toilet. He left the tap running—did he want to clean the cut or drown out his moans? My brother Daniel knocked—the sound of water flowing made him want to go. Father didn’t answer, so Daniel walked in as Dad sliced a box cutter down his other arm. For a second Daniel mistook the blood for tap water running rust.

Dad turned on him and yelled, “You, you—” as if he couldn’t remember his firstborn son’s name. “Can’t I have a moment’s peace?”

My brother froze.

Dad pointed to the door. A sheet of blood like cellophane flapped from his arm to the cold white tile floor.

“Get lost,” Dad yelled.

My brother Daniel has obeyed that command every day since Dad’s death. He tried getting lost in women but invariably got dumped. He pumped heroin in his veins in the bathroom. But it’s hard to dig a grave with a razor, needle, and spoon.

Since Dad’s death, Mother has refused to drink, not even water. She’s become the sphinx of Vegas. Money sifts in and out of her hands like sand. Her eyes glint only in that suspended moment when the ball rolls in the roulette wheel, which seems to turn in two directions at once, so fast forward it’s a blur that seems to whirl more slowly backwards. Her back stiffens at its a rattle like a desert snake the moment before the strike.

My sister Diane tries to save people. But who can be saved from themselves? Like Electra, she’s a lightning rod that attracts trouble. Those about to be struck down are drawn to her.

And me? I inhabit an underworld beneath other people’s skin. I only feel what others can’t express. My brother Daniel blacks out and forgets things. But that scene in the bathroom, I remember it as if I’d been him. Red blood cascades from my father’s veins like downward flames, flaps like fake fire-logs in reverse, I freeze. My mother’s thirst digs so deep in my throat, it hurts my heart. My sister’s bottled-up desire feels like the bottles her men empty and smash at her. I feel my brother’s empty veins ache for the heroin flame.

“Do not go quiet,” would be on our coat of arms. With crossed bleeding wrists. But as with all family trees, some stormy day a branch is gonna snap.

Last night, I watched Diane walk to the rusted bowl she used to feed a stray dog that hung around out back. He crept up. She lifted the tin pan, then slammed it on his head. The dog howled and fled. Then the mutt came back, still hoping she’d fill the dish. She hit him again, though he dodged faster, so it fell on his flank.

Then we heard sirens. Someone had called the police. They’d probably been wanting to for ages, waiting for something they could see to report—after father’s wake, we never raised the shades.

The cops came and hauled my sister off.

Afterward, I filled the dog dish and laid it down, calling the animal softly. He hunkered low, sniffing, circling.

I looked at that tin bowl full of dead meat and thought, “That is Dad’s death.” And we, like the dog, won’t take it. The bowl glinted a silver halo, though the meat drew flies. The dog lay in a hole he’d dug under the stone wall and watched, now that he knew how easily he could become the mush in the bowl, how the empty bowl could turn and crown him.


In this long quarantine, Holly Woodward saw that her problems did not in fact come from others. Her stories and poems appeared recently online in Scribble, Vestal Review, and Coffin Bell. She writes and paints in Costa Rica.

Donna Morton

Little Devil

At first, he was just a moth 

at my shoulder

whispering little delights

during my workday.

New car, he’d say,

his voice like honey.

Early retirement. 

I told him to buzz off.

We all know my golden cow

is sending emails,

watering dry debt.

 

But he was persistent.

Flowers at my doorstep.

A few lucky tickets. 

Poetic bitcoins. 

When I was pedaling my bike to the office

he pulled up on a red motorcycle.

I hopped on; the leather

burned my thighs.  

We drove into the desert

and showed the snakes how it is done.

It only takes a few minutes to be

seduced into someone else.

He has a thing for the scent of need

and I wear desire like a classic perfume.

Rye whiskey, sweat, wilted flowers

weighted by the loss of a thousand loves. 

I told him I wanted to live deliciously 

and so I did. My student loans melted 

at my feet like a velvet robe. 

The moon rays glowed on my skin

and I felt a prickling in my veins.

I love him without fear 

and now all my roulette spins 

land on the right color. 

There is no black and white. 

My body is reptilian, calculating. 

Yet my heart is still on fire. 


Donna Morton's poetry has appeared in Mad Gleam Press, The Shoutflower, and is forthcoming in issue 43 of Southword: New International Writing. Find Donna reading poetry with her collaborator Carmen Cornue on Instagram, @spleen1857.

K.L. Johnston

Museum Hands

I keep getting thrown out of museums.

Blame my mother, a sweet dabbler who told 

me to get my hands dirty whether in 

the garden with a trowel, kneading bread

in the kitchen or in the studio

by the wheel, throwing clay and mixing glaze.

Mostly I get thrown out for touching things.  

Every guard has been affable, charming 

and insistent.  I do appreciate

places where the good stuff is kept under 

glass, although I weep for all that lonesome 

beauty we must leave to share.  Yes, I know. 

This is how we learn to know things, by touch.  

Reading is only a secondary 

skill.  I can tell you that European

porcelain heft’s totally different 

from the Chinese – the types of clay, I think.  

Texture of hand-mixed and layered paint is 

grittier than acrylic.  I can tell 

you that gold leaf has a slightly oily 

feel.  Sometimes I have to lick my fingers.  

This is how I know the dust on Dali’s 

Last Supper has a different taste than 

Rothko’s Chapel paintings.  If I could I 

would make a coat out of any Watteau

and wear that glory snug against my skin.  

Give my love and my apologies for 

being overcome to the National

the Hirshorn the Met

to Byodo-In

Canterbury Cathedral the Bishop

to La Maison Caree the Gibbes, 

Plaza de Toros and the V&A

……as the list grows.


K. L. Johnston's poetry has appeared in journals ranging from Small Pond magazine in the 1980s to more recent work appearing in Humana Obscura and Pangyrus. She is a contributing poet to the 2022 anthologies "Botany of Gaia" and the upcoming "South Carolina Bards 2022."

Lawrence Bridges

Unnamed Bird

In the disarray of duties and distractions

I lift my voice with hopeless hands

up from the mire it won't speak of

like an eye on long arms held above the roof.

The voice held up by a voice that won't speak

pressed like sensing nerves against vibration

explodes with desire for more until its job

is done. I see the subject and it is old.

I sustain the lifting and feel a wind

but the voice's eye sees ocean and new birds

then sings, and after, falls to cursing old loves

and joy unbestowed, never to come again

as before. I lower the eye to look at

myself and the voice says what I feel,

an elbow and a fist to mouth steeled

for thought without desire, to begin

a day by the ocean and sky with an unnamed bird.


Lawrence Bridges' poetry has appeared in The New Yorker, Poetry, and The Tampa Review. He has published three volumes of poetry: Horses on Drums (Red Hen Press, 2006), Flip Days (Red Hen Press, 2009), and Brownwood (Tupelo Press, 2016). You can find him on IG: @larrybridges

Cameron Atlas Chiovitti

A Portrait of my Body as [Redacted]

 

Purple pythons slither down my grassy hips- emerge from my covered cave. My body is a jungle. At least, it is still that unfamiliar to me. I’ve slashed through all the vines, but my body grows more. It’s hiding its secrets in its foliage. Let me axe down the trees. The bark splinters my fingerprint; I do not leave my own mark anymore. My ankles roll in the soil. They look like bouncy balls. How will anybody know I am not made of rubber? Let me excavate the dirt. Maybe I will find something beautiful in my pores. Each new popped pimple coats my city skin in ash. The people inside of me scream, and I know this is how I will always be remembered: as someone who is on the verge of exploding. Let me sweep the remains of my crusted blood caking the bedsheets I haven’t changed in six months. My body is constantly leaving itself where it shouldn’t be- constantly not picking up after itself. My body is an unwanted house guest,

except it is the house

 & the walls’ cracks seep the blood

 & the ceiling fan sprays the blood

 & the bedsheets are married to the blood

 & the kitchen knives slurp the blood

 & the toilets are nightclubs for the blood

& I can’t afford rent anywhere else because it costs more bravery than I can muster to leave.

Let me pry off my own breasts- split open my chest. From it pours thousands of gold coins- each tossed into my fountain mouth; wishes that one day I will survive this. I mean, I have survived this. My body is still a jungle: untamable and

unimaginably alive.


Cameron Chiovitti, born in Montreal, Quebec, is working towards their BFA in creative writing at OCAD University in Toronto, Ontario. They use poetry to explore what it truly means to be human through the context of their experiences. All of their work currently available online can be found here: https://linktr.ee/maskofpoetry.

Ricardo Jose Gonzalez Rothi

The Toll

Lito had ignored the bloody streaks on the toilet paper for months. Probably just hemorrhoids. He only agreed to the surgery because of Marilín and because he loathed the thought of leaving his mutt, Cholo, behind. 

It had been five years since “the day of the inconvenience”, as he called it, but Lito had made it to his fifty-fourth birthday. That was the day Marilín called us. Your cousin will not be discharged. They can’t find him a Hospice bed in time.  Lito and I had lived in the same house through high school.

My cousin Loreta and her husband Manolo pulled into the hospital parking lot just as we arrived. Loreta broke the silence. It doesn’t look good, does it? We walked collectively towards the main entrance. Manolo wore a Cubavera shirt over khaki Bermuda shorts, army-dress shoes and white tube socks. Under his arm was a worn Bible. A tattoo of Jesus on a barbed-wire cross adorned his forearm. 

This was Lito’s last lap. His liver, larger than a basketball had more tumor in it than liver cells. The cancerous fluid in his abdomen made him look pregnant. But he kept his sense of humor, Marilin said, as she walked us towards Lito’s room. He joked to his doctor this morning that the purple veins beneath the taught skin on his belly were the tentacles of the alien inside him. 

The doctor had told Marilin that Lito had fifty or sixty “tumor balls” in both lungs, slowly growing, compressing his air sacs, which is why he had so much air hunger. The alien indeed.

Entering the room, we were disarmed by the figure of a yellow, cachectic man with clumps of chemotherapy-singed hairs clinging delicately onto a balding, flaking scalp. He gasped for breath like a guppy out of water, and his sunken eyes roamed. Lips were fissured. He was either too weak or too sedated to keep his eyelids open. But he recognized me, squeezed my hand when I called his name.

Manolo and Loreta had stepped in behind us into the already crowded hospital room. The lunch tray lay undisturbed. The room smelled of once-boiled, twice-reheated Salisbury steak and hospital disinfectant. I gazed at the “get-well” cards posted on the wall when Manolo abruptly asked we step out.  I have an important issue to discuss with Lito. Manolo’s back to me, he was unaware I lingered.  Arms held over Lito, Manolo swayed, mumbling biblical passages. He paused, leaned close to Lito and in a low, sanctimonious voice said, 

Your sins brought you this cancer, repent. Seek cleansing for an everlasting life...

It was as if the epinephrine rush brought on by Manolo’s utterance had jolted Lito into a full state of wakefulness. His eyes flared wide open. His life’s wish was to have been a teacher but coming from a military legacy, he was given little choice but to follow suit. Six months after boot camp, he crumbled, burned his uniform in the barbecue grill, and took his marksmanship medals to Goodwill. The depression, the migraines, the medication side-effects, had made him an inconvenience to those around him, so he just resigned himself to the purgatory of eight-hour days processing toll tickets on the turnpike. Then the cancer. Now God wanted him to beg for forgiveness? For a cancer and a life he never asked for and fucking didn’t deserve? Happy fucking birthday! Anger incinerated, then exhausted him.

Manolo continued swaying, waving the good book like an amulet in ritual over Lito.

By now back to a place of incoherence, Lito grunted, lifted his head slightly off the pillow, then ever so gently, he lay back. The trinity of near-death, Dehydration, Delirium and Dyspnea had finally descended. A pause, a last salvo breath, and it was done.

Every now and then I think of Lito. I never told Marilín what happened that day. Kids are now grown and Cholo was buried in the back yard. Marilín never re-married. On days like this I wish to curse Manolo, but it’s like God holds me back. I just clench my teeth and pay the toll.


An academic physician and scientific writer, Ricardo has had his work featured in the U.S. and in the U.K., in Acentos Review, Hispanic Culture Review, Biostories, Foliate Oak, Lunch Ticket, The Bellingham Review, Molotov Cocktail, Star 82 Review, Wingless Dreamer, Litro and others. Born and raised in Cuba, he came to the United States as a refugee in his teens and now resides in North Florida.

James Callan

Under Golden Arches

She had two cats, which I thought was crazy. Nothing against cats, of course. Who doesn't like cats? But her apartment was little larger than a walk-in closet, spacious for the cockroaches that inhabited it, perhaps, but not for me. Not for any adult human being. The two litter boxes weren't large, but they took up limited real estate in what was already a crowded mess of scattered underwear, denim skirts, and mostly empty takeaway containers. I never did see any cat, but there were wisps of hair everywhere—white and ginger—and the litter boxes weren't empty. The room smelled of the shit within them.

As we took the two steps it required to traverse the length of the room to her bed, I became aware of a certain claustrophobic panic that came with being in that space. In all honesty, it took my mind away from the sex we were about to have. Maybe that's why I underperformed. Looking around the room, I tried to determine if it was possible for someone my size to pull off a proper jumping jack without grazing both wall and ceiling. I very much doubted it, but didn't commit to giving it a try, so who knows?

All the strewn about clothing, the half-eaten lo-mien and paper plates gone transparent with grease, the supposed cats; it all made what was already scant even smaller. How could someone live like this?

It probably helped that she, herself, was small. It likely shifted the perspective, made the tiny room feel adequately proportioned. At four foot nine, she was legally a dwarf. But even if she was only a little taller than Peter Dinklage, stood eye-to-eye with Danny DeVito, she was shaped like Beyoncé, proportioned to size like a runway model. Apart from the way she lived, the way she acted, she could have passed for a woodland dryad, a fairy queen.

“Are you ready?” She asked me, her voice nowhere near as tiny as her self. She was all confidence, having guided me here from the laundromat with nothing more than telling looks and body language, all the communication required to have me happy at her heels. A smile, a bit lip, a head tilt to bare her neck, it was as if we had exchanged many words, a direct, written agreement. I nodded, realizing that like her, I had hardly spoken. We just acted, as if fated to fuck.

We undressed in silence. I felt something soft and furry rub up against the back of my bare ankles. I turned to look but all I saw were inside-out socks and tank tops, a Smirnoff bottle empty but for one last meager taste. The girl nudged me with her pixie foot, coughed out a little ahem to speed things up. I stopped looking for cats and turned my attention to the pocket-sized princess. Taking her by the waist, I lifted her up with extreme ease and placed her upon the bed. At five foot seven, I had the unique pleasure of feeling like a giant for the first time in my life as I crawled over her.

She reached for me and guided me in, and then I was lost. I’ve never been with someone so small. It felt illegal. But she was older than me. Her confidence gave it away, and the driver’s license on the bedside table that read 1980-something. I should have looked at her name. Or better yet, I should’ve just asked her. What’s your name? Would that have been so hard?

And speaking of hard… only joking. You know how that part goes anyways. You can imagine it for yourself. I’ll just say, it was the very best sin I’ve ever had the pleasure to partake in. Shame, in retrospect, that I spent the three -- five maximum -- minutes of it staring out the window above her bed. The window, like the apartment, like the the girl, was minute. It was square, about the size of a record sleeve, and from my position whilst I fucked an unforgettably gorgeous, miniature bombshell it perfectly framed the yellow glow of a nearby McDonald’s arches.

A face and a body, both immaculate, both much more refined than my own -- and female too. Artwork of my favorite variety. Breasts and navel, sultry dark eyes, black, glossy hair, all bathed in Mickey D’s gold and there I was looking up at a signpost advertising a world-wide burger franchise, a totem to be found in every neighborhood, on almost every other block.

The same confidence that led me to her tiny apartment led me back out the door. The space between climax, collapsing on the bed and getting dressed, getting out through the door and staring at the bronze number four and the peephole as it closed inches from my face was probably as quick as the sex. In three -- five max -- minutes, I was ushered out the door with looks and gestures. I was honored with a curt “goodbye,” and again her mature, lower tone surprised me.

I stared at the fish eye peephole for a while and thought I heard a meow from within, maybe the shuffle of cat pebbles or kitty litter. Then the white noise of a running shower through the walls and the metronome of my steady breath. Then the footsteps echoing on the stairs as I descended into the night, part of me elated, part of me hurt, walking back, alone, to the laundromat.

That little woman left a big impression. For weeks, I brought clean laundry to the laundromat. I shoved stark white socks, crisp, floral-scented underwear into the machines. I forked over coins and started wash cycles that were merely symbolic, little more than an excuse to be present. To wait. To hold onto hope that before the spinning cycle ends she’ll walk though the door. So I watched unsoiled garments go from dry to wet, a baptism from clean to cleaner. Holy socks. Holy shirts. My temple, the laundromat. My goddess, a tiny stranger.

I carried my linens, pure as a saint’s sinless soul. I took them, piled up in my arms back to the car and shoved them, unceremonious, in the back. I’d wash them again tomorrow. Maybe later tonight. I sat in my car and drummed on the steering wheel. I watched the street and chewed my lip. I daydreamed of three to five seconds of the best sex of my life but only saw golden arches.

This was how it would go day after day, night after night. I’d wait for a petite lady I was starting to doubt ever existed in the first place. Like her cats, maybe a ghost. She was there, but was she really?

I looked down the street and up into a purple sky. I stared at a lemon-yellow signpost, a supernova that drowned out the anemic urban starlight. I stared till my eyes went wet, till my vision blurred. I blinked away the tears that smeared the golden arches of a nearby McDonald’s, the very same ones that had christened me in their canary glow, turning me, in a moment of ecstasy, into the devout believer I have hopelessly become. There is a god, and she is a tiny woman who lives in squalor in apartment four of the Rainbow Estates on 36th avenue.

It was well within walking distance, but I drove to the Mickey D’s because I wanted to eat in my car. I wanted to watch from the curbside below, look up through the glass of a paltry window. I wanted to catch a glimpse of a shadow, of a cat, of anything. I wanted to catch that moment the lights go out. To relive the oh-so-short moment. To look upon the oh-so-short woman.

I rolled up to the drive-thru window and ordered a twenty piece Chicken McNuggets. I asked for extra packs of barbecue sauce and knew I’d feel like shit come the morning but didn’t care. I needed sustenance—if it could be called that. I was planning for a long night.

Parked outside of Rainbow Estates, below a window roughly the size of a record sleeve, I ate twenty lopsided globs of low-grade chicken. I went through four packets of BBQ sauce and felt the gut rot at work. I watched a tiny window go black and knew she was there, about to sleep. I smiled, my lips a smear of tangy, maroon paste, like Ronald McDonald himself. I reached for clean linens with greasy hands. I soiled white socks with ruddy fingerprints. I didn’t care. It legitimized my next visit to the laundromat.

I bunched up my laundry to serve as a makeshift pillow. I stretched as best as I could and closed my eyes. Under the amber glow of radiant arches, I began to drift. Beneath the inadequate glass aperture through which a micro scale Aphrodite slumbered, so too, did I sleep, and dreamed of God in all her shining glory.


James Callan grew up in Minneapolis, Minnesota. He lives on the Kāpiti Coast, New Zealand on a small farm with his wife, Rachel, and his little boy, Finn. His writing has appeared or is forthcoming in Bridge Eight, Beyond Queer Words, The Tiny Journal, Millennial Pulp Magazine and elsewhere.

Charlene Stegman Moskal

Pillow Talk

There are words in my pillow

mumbled indistinct

water over rocks in a stream

burbling.

I try to form them,

string sounds into meaning—

I get nowhere;

there is no sense, no value.

Perhaps these are only echoes 

of music and late nights stuck 

between the mattress and my head.

 

Maybe the cantina down the street

pumps up the bass 

and it pounds like sex 

from its walls to mine 

while the singer is wailing 

in Spanish about lost love

and I cannot hear well enough

to interpret her pain.

It could be the sound of stale memories

or something that got lost in the sheets

that night we were eating honey grahams

still hungry after we made love.

I don’t think they have always been here

those misguided phantoms 

that invade the down feathers

to tickle my fancy, enter my dreams.

I’ve changed my pillows, tried to force them 

from their home under my head

but they are persistent, strangely familiar

as if they don’t want me to sleep alone anymore.


Charlene Stegman Moskal is a Teaching Artist for the Las Vegas Poetry Promise Organization. Charlene is published in numerous anthologies, print magazines and online. Her second chapbook, Leavings From My Table,” (Finishing Line Press), will be released in October, 2022.